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Field Notes: curate art Archives - Page 2 of 2 - FOR-SITE Foundation

Ai Weiwei, Blossom
04-23-20 Art About Place Archive: Issue 7
Ethiopian journalist Reeyot Alemu became a prisoner of conscience when her government sentenced her to five years in prison under the Anti-Terrorism Proclamation. Alemu More
Ai Weiwei, Blossom
04-21-20 Art About Place Archive: Issue 6
Please enjoy this excerpt from the documentary film Ai Weiwei: Yours Truly, which has been selected by over twenty international film festivals and has won several More
Ai Weiwei, Blossom
04-17-20 Art About Place Archive: Issue 5
Please enjoy this impromptu performance by the Tesoro High School Choir within Trace, one of seven site-specific artworks by artist Ai Weiwei in @Large: Ai More
04-15-20 Featured Limited Edition Artworks
The FOR-SITE Foundation is pleased to present a curated selection of limited edition artworks commissioned from FOR-SITE artists. These works were commissioned to More
Ai Weiwei, Blossom
04-14-20 Art About Place Archive: Issue 4
Go behind the scenes of @Large: Ai Weiwei on Alcatraz. Chinese artist and activist Ai Weiwei raises urgent questions about freedom of More
Keep the Faith, Baby
04-10-20 Resources for Artists and Art Organizations
Our thoughts are with all of those struggling during the global health crisis. We know those in the creative community are particularly vulnerable to temporary loss of More
Ai Weiwei, Blossom
04-07-20 Art About Place Archive: Issue 3
In this video from the FOR-SITE archives, Chinese artist and activist Ai Weiwei and others discuss the ideas behind @Large: Ai Weiwei on Alcatraz, an exhibition of new More
Ai Weiwei, Blossom
04-06-20 Art About Place Archive: Issue 2
@Large: Ai Weiwei on Alcatraz featured a series of seven site-specific installations by Ai Weiwei- a Chinese contemporary artist known for his socially-, politically-, More
Ai Weiwei, Blossom
04-05-20 Introducing: Art About Place Archive
FOR-SITE is thrilled to announce the launch of Issue 1 of the Art About Place Archive, a new bi-weekly series that showcases the FOR-SITE Foundation exhibitions to date. More
04-03-20 A Note From Cheryl: We Are With You
  Dear friend, I am writing you today to offer my very best wishes for your good health, in the hope that you are safe and secure in your home.   Now more than More
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Field Notes

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    “Ai Weiwei: Yours Truly” Virtual Cinema Release

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    Black Lives Matter

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    Ai Weiwei + Human Rights Watch

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  • #LandsEnd featured artist Andrea Chung’s video Come Back to Jamaica (2009), & Come Back to Yourself (2013), will be… https://t.co/HXwouRNnBa
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Happy Birthday to the brilliant Ai Weiwei (@aiww) 
 â €
Image: Ai Weiwei @Large exhibition curator Cheryl Haines consults with Ai Weiwei at the artist's studio in Beijing, June 2014; Photo: Jan StĂĽrmann
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Happy Birthday to the brilliant Ai Weiwei (@aiww) â € Image: Ai Weiwei @Large exhibition curator Cheryl Haines consults with Ai Weiwei at the artist's studio in Beijing, June 2014; Photo: Jan StĂĽrmann
15 hours ago
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1/9
Occupying a suite of former military structures in the Presidio overlooking the San Francisco Bay, Home Land Security (2016) brought together works by contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name. 

The exhibition extended FOR-SITE’s focus on provocative art about place, inviting viewers into decommissioned batteries, an administrative building, and a chapel — some open to the public for the first time — that served for decades as key sites in the US Army’s Coastal Defense System. #ArtAboutPlace

Image: DÍAZ LEWIS, 34,000 PILLOWS, 2016–ONGOING (VIEW FROM OUTSIDE BATTERY BOUTELLE); USED AND DONATED CLOTHING AND KAPOK FIBER FILLING; COURTESY THE ARTISTS AND ASPECT/RATIO, CHICAGO; © DÍAZ LEWIS; PHOTO: ROBERT DIVERS HERRICK
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Occupying a suite of former military structures in the Presidio overlooking the San Francisco Bay, Home Land Security (2016) brought together works by contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name.  The exhibition extended FOR-SITE’s focus on provocative art about place, inviting viewers into decommissioned batteries, an administrative building, and a chapel — some open to the public for the first time — that served for decades as key sites in the US Army’s Coastal Defense System. #ArtAboutPlace Image: DÍAZ LEWIS, 34,000 PILLOWS, 2016–ONGOING (VIEW FROM OUTSIDE BATTERY BOUTELLE); USED AND DONATED CLOTHING AND KAPOK FIBER FILLING; COURTESY THE ARTISTS AND ASPECT/RATIO, CHICAGO; © DÍAZ LEWIS; PHOTO: ROBERT DIVERS HERRICK
2 days ago
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2/9
@anateresafernandez’s Sanctuary rug design, titled Erasure, showcases a work from a series of the same name for which the artist documented a performance of erasure: painting her body black with thick acrylic paint in front of a black background. The resulting video and suite of signature large-scale, hyperrealist paintings leave only glimpses of color—in this case, a searing pair of eyes. Fernández performed this act of removal and mourning in response to the 2014 disappearance and presumed murder of forty-three young male student-activists in Ayotzinapa, Mexico. For the artist, this unconscionable act raises critical questions: “Whose life can be erased so quickly? Why are some sectors of our community treated in such a disposable way? What do we need to do as a society to be seen and treated equally, like valued human beings?”

In 2017 FOR-SITE invited 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.
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@anateresafernandez’s Sanctuary rug design, titled Erasure, showcases a work from a series of the same name for which the artist documented a performance of erasure: painting her body black with thick acrylic paint in front of a black background. The resulting video and suite of signature large-scale, hyperrealist paintings leave only glimpses of color—in this case, a searing pair of eyes. Fernández performed this act of removal and mourning in response to the 2014 disappearance and presumed murder of forty-three young male student-activists in Ayotzinapa, Mexico. For the artist, this unconscionable act raises critical questions: “Whose life can be erased so quickly? Why are some sectors of our community treated in such a disposable way? What do we need to do as a society to be seen and treated equally, like valued human beings?” In 2017 FOR-SITE invited 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.
4 days ago
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3/9
Titled Here we die, @mpane.aime’s design for Sanctuary was based on one of his carved plywood portraits from a series of the same name. He creates these portraits with an ancient tool called an adze, which allows him to scrape away layers of wood and reveal his subject by reduction. Each panel is roughly twelve by twelve inches: the equivalent of a human head’s surface area. “Because my work deals with problems of race and the stereotypes of black people, the three layers within four-millimeter-thick plywood make me think of the three layers within human skin,” he explains. Despite the dark histories underlying his work, Mpane’s portraits are not somber: his embrace of bright color lends an air of inextinguishable hope and promise.

In 2017 FOR-SITE invited 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.
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Titled Here we die, @mpane.aime’s design for Sanctuary was based on one of his carved plywood portraits from a series of the same name. He creates these portraits with an ancient tool called an adze, which allows him to scrape away layers of wood and reveal his subject by reduction. Each panel is roughly twelve by twelve inches: the equivalent of a human head’s surface area. “Because my work deals with problems of race and the stereotypes of black people, the three layers within four-millimeter-thick plywood make me think of the three layers within human skin,” he explains. Despite the dark histories underlying his work, Mpane’s portraits are not somber: his embrace of bright color lends an air of inextinguishable hope and promise. In 2017 FOR-SITE invited 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.
7 days ago
View on Instagram |
4/9
@hankwillisthomas Sanctuary contribution, titled Keep the Faith Baby, comes from a series invoking buttons and slogans from political campaigns and social movements from the last 50 years, removing them from their original context to allow audiences to reinterpret the messaging through a contemporary lens. Thomas remembers encountering a button bearing this particular wording as a child. The phrase, used by New York Congressman Adam Clayton Powell, originally served to communicate the hope and profound faith that fueled the American civil rights movement. “It may sound trite, but commercialism is the new religion. We are all believers. Even the most radical of us,” Thomas has said. “It’s not propaganda anymore.”

The notion of sanctuary—both physical and psychological—has been fundamental in shaping a sense of selfhood and social identity throughout human history. But in an era of increasing global migration and rising nationalism, the right to safe haven is under threat, and the necessity for compassion is greater than ever. Seeking to address these issues and ideas, In 2017 FOR-SITE invited 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.
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@hankwillisthomas Sanctuary contribution, titled Keep the Faith Baby, comes from a series invoking buttons and slogans from political campaigns and social movements from the last 50 years, removing them from their original context to allow audiences to reinterpret the messaging through a contemporary lens. Thomas remembers encountering a button bearing this particular wording as a child. The phrase, used by New York Congressman Adam Clayton Powell, originally served to communicate the hope and profound faith that fueled the American civil rights movement. “It may sound trite, but commercialism is the new religion. We are all believers. Even the most radical of us,” Thomas has said. “It’s not propaganda anymore.” The notion of sanctuary—both physical and psychological—has been fundamental in shaping a sense of selfhood and social identity throughout human history. But in an era of increasing global migration and rising nationalism, the right to safe haven is under threat, and the necessity for compassion is greater than ever. Seeking to address these issues and ideas, In 2017 FOR-SITE invited 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.
1 week ago
View on Instagram |
5/9
Deinstall continues! While we are on hiatus, keep in touch by subscribing to our newsletter at the link in bio.
Deinstall continues! While we are on hiatus, keep in touch by subscribing to our newsletter at the link in bio.
Deinstall continues! While we are on hiatus, keep in touch by subscribing to our newsletter at the link in bio.
Deinstall continues! While we are on hiatus, keep in touch by subscribing to our newsletter at the link in bio.
Deinstall continues! While we are on hiatus, keep in touch by subscribing to our newsletter at the link in bio.
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Deinstall continues! While we are on hiatus, keep in touch by subscribing to our newsletter at the link in bio.
2 weeks ago
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6/9
Susanne Cockrell’s (@aradicalstitch ), Indwelling invited students to move their toolkits, studio, and lens of production to the Sierra Nevada and work through their own experiences of being on the land. Through guided walks, and meetings with local artists, community groups, herbalists and trackers students focused on understanding the complex relationships between their art practices and a sense of indwelling.

Since 2003, FOR-SITE’s education program has enriched the experience of graduate-level art students with learning opportunities that extend beyond the traditional academic curriculum.

Image: Susanne Cockrell’s, Indwelling, 2016, California College of the Arts
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Susanne Cockrell’s (@aradicalstitch ), Indwelling invited students to move their toolkits, studio, and lens of production to the Sierra Nevada and work through their own experiences of being on the land. Through guided walks, and meetings with local artists, community groups, herbalists and trackers students focused on understanding the complex relationships between their art practices and a sense of indwelling. Since 2003, FOR-SITE’s education program has enriched the experience of graduate-level art students with learning opportunities that extend beyond the traditional academic curriculum. Image: Susanne Cockrell’s, Indwelling, 2016, California College of the Arts
3 weeks ago
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7/9
Established in 2003, the FOR-SITE Foundation is dedicated to the creation, understanding, and presentation of art about place. Our exhibitions and commissions artist residencies, and education programs are based in the belief that art can inspire fresh thinking and important dialogue about our natural and cultural environment.

Image: Artist Chris Drury at work
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Established in 2003, the FOR-SITE Foundation is dedicated to the creation, understanding, and presentation of art about place. Our exhibitions and commissions artist residencies, and education programs are based in the belief that art can inspire fresh thinking and important dialogue about our natural and cultural environment. Image: Artist Chris Drury at work
3 weeks ago
View on Instagram |
8/9
Reflections from preschool students who visited #LandsEnd
Reflections from preschool students who visited #LandsEnd
Reflections from preschool students who visited #LandsEnd
Reflections from preschool students who visited #LandsEnd
Reflections from preschool students who visited #LandsEnd
Reflections from preschool students who visited #LandsEnd
Reflections from preschool students who visited #LandsEnd
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Reflections from preschool students who visited #LandsEnd
4 weeks ago
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9/9

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Field Notes

  • Ai Weiwei Yours Truly Facebook Banner

    “Ai Weiwei: Yours Truly” Virtual Cinema Release

  • Alfredo Jaar

    Black Lives Matter

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