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  • Limited Edition Artworks

    FOR-SITE is pleased to announce a curated selection of unique multiples and limited edition artworks commissioned for and produced in conjunction with exhibitions presented by FOR-SITE over the years. These works commemorate artists' contributions to International Orange (2012), Home Land Security (2016), Sanctuary (2017-18), and Lands End (2021). We are also thrilled to include a commissioned edition of photographs by Alexia Webster which is a part of her Street Studios Project series.

    Keep an eye on our Field Notes blog for special features on select works and please email [email protected] with sales inquiries or questions.

  • John Akomfrah

    Limited Edition Sanctuary Artist Rug, 2017, Wool, 72 x 48 inches, Fabricated by ALRUG, Lahore, Pakistan, Edition of 4 (3 available).View Full Image Learn More

    Price: $15,000.00 Quantity:
  • Tammam Azzam

    Limited Edition Sanctuary Artist Rug, 2017, Wool, 72 x 48 inches, Fabricated by ALRUG, Lahore, Pakistan, Edition of 4 (2 available). View Full Image Learn More

    Price: $15,000.00 Quantity:
  • Shiva Ahmadi

    Limited Edition Sanctuary Artist Rug, Wool, 72 x 48 inches, Fabricated by ALRUG, Lahore, Pakistan, Edition of 4 (4 available).View Full Image Learn More

    Price: $15,000.00 Quantity:
  • Al Farrow

    Bullet Cross, 2016, Bullets, Dimensions variable, Edition of 10 (6 available). View Full Image Learn More

    Price: $2,525.00 Quantity:
  • Trevor Paglen

    Commemorative Challenge Coin for Operation Onymous (FBI Investigation of Silk Road), 2016, Die Struck brass alloy; 4 x 4 inches, Edition of 100 (50 available). View Full Image Learn More

    Price: $370.00 Quantity:
  • Alexia Webster

    Street Studio on rue Vittori Françoise, Antananarivo, Madagascar, 2014, Digital photograph, 24 x 36 inches, Edition of 10 (9 available). View Full Image Learn More

    Price: $2,550.00 Quantity:
  • Michelle Pred

    Official Air Travel Replacement Penknife, 2016, Penknife, resin, petri dish, 7.5 x 7.5 inches, Edition of 30 (10 available). View Full Image Learn More

    Price: $370.00 Quantity:
  • Stephanie Syjuco

    International Orange Commemorative Box Set, 2012, Dimensions variable, Edition of 50 (5 available). View Full Image Learn More

    Price: $275.00 Quantity:
  • Mark Dion and Dana Sherwood

    Concretion, 2012, Direct-to-plate photogravure with color digital printing and chine colle; Somerset textured and white gampi paper Printed by Paulson Bott Press, 12 x 9 inches, Edition of 22 (12 available). View Full Image Learn More

    Price: $470.00 Quantity:
  • Allison Smith

    International Orange Blanket, 2012, Wool, woven by Pendleton Woolen Mills, 80 x 64 inches, Edition of 75 (12 available). View Full Image Learn More

    Price: $525.00 Quantity:
  • Limited Edition Artwork based on artist's rug design for Sanctuary, FOR-SITE Foundation, 2017.

    John Akomfrah’s rug design for Sanctuary, titled The Cave, is a kaleidoscopic pattern based on prehistoric paintings from Argentina’s Cueva de las Manos. “Inside these interlocking caves are some of our first signatures of an idea,” Akomfrah explains. “They are the ghost traces, the carbon footprints of us reaching for and attaining something very powerful, something very long lasting and very human. They are some of the first manifestations of a now near-universal human sense: the idea of an enclosure—marked by a sign of our presence—as a space of benediction, of sanctuary. What the caves tell us, too, is . . . our yearning for sanctuary, both as symbolic evocation as well as real knowledge of an actual place, [is] one of the oldest human yearnings. It’s as old as our sense of home, as enduring as our grasp of time, as defining as our sense of mortality.”

    Limited Edition Artwork based on artist's rug design for Sanctuary, FOR-SITE Foundation, 2017.

    Tammam Azzam’s paper collages are the basis for his untitled Sanctuary rug design. The concept of sanctuary is particularly resonant for him; he has used the word to describe his former studio in Syria, which was a refuge from the turmoil he witnessed and experienced before fleeing in 2011 to Dubai and subsequently relocating to Germany. The Syria of his memory and the places he held sacred are now gone, forcing him to find solace, comfort, and safety in new locations, new experiences. “My family left with nothing, just our suitcases. We started a new life from zero,” he has said. “But . . . I know I am one of the lucky ones.”

    Limited Edition Artwork based on artist's rug design for Sanctuary, FOR-SITE Foundation, 2017.

    Shiva Ahmadi’s contribution to Sanctuary features a Buddha-like character seated on a lotus throne. But unlike traditional depictions of the spiritual leader, her figure is defaced, bloodied, and perched precariously on a tangle of briars. Instead of Buddha, the enlightened teacher, the artist presents a mere mortal struggling to balance the weaponry of warfare, which could teeter out of hand at any moment. Ahmadi continually probes the confluence of Eastern and Western cultures, and the notion of unpredictable threats that often hide in plain sight. She asks viewers to look beyond the surface and consider the implications of our choices and actions, and she reminds us of the fine line that separates peace and destruction.

    Limited Edition Artwork based on artist's sculptural contribution to Homeland Security, FOR-SITE Foundation, 2016.

    Bullet Cross was created to commemorate Revelation I and Mosque II (after National Mosque of Nigeria, Abuja)—artworks included in FOR-SITE Foundation’s exhibition Home Land Security (September 10 – December 18, 2016).

    Bay Area–based Al Farrow’s sculptures are strangely beautiful meditations on the relationship between religion and violence. Combining a draftsman’s precision with an understanding of metaphor, he makes art from spent ammunition and weapons. By fashioning these materials into religious symbols, he forces us to confront the role that religious extremism plays in instigating violence, and how war becomes its own religion, driven by the global arms trade in pursuit of profits. These harmonious assemblages of disturbing materials aim to provoke thought about the hypocrisy of violence exacted in the name of religion, and the irrational faith we place in instruments of destruction as a source of security.

    Limited Edition Artwork based on artist's contribution to Homeland Security, FOR-SITE Foundation, 2016.

    This work is a Commemorative Challenge Coin from Operation Onymous inspired by FOR-SITE Foundation’s exhibition Home Land Security (on view in San Francisco, September 10 – December 18, 2016).

    As cyber threats increasingly push security efforts into virtual realms, Trevor Paglen’s work examines the many facets of government intelligence. Installed in a building that once served as home to the 902nd Military Intelligence Group — in a vault that housed classified documents — Operation Onymous (FBI Investigation of the Silk Road) invokes the motif of an FBI challenge coin, a cryptic medallion recognizing an agent’s affiliation with the organization; the coin featured here was given to those who aided the takedown of the notorious Silk Road darknet market in San Francisco. Trevor Paglen uses his training as a photographer and geographer to explore the worlds of government intelligence and surveillance. He describes his efforts on the periphery of government secrecy as an important exercise: “If you don’t flex those rights, they go away.” His work has been exhibited internationally, earning such honors as the San Francisco Museum of Modern Art’s SECA Award, the Electronic Frontier Foundation’s Pioneer Award, and the Deutsche Börse Photography Prize.

    Limited Edition Artwork based on artist's contribution to​ International Orange​, FOR-SITE Foundation, 2012.

    Allison Smith is an Oakland-based art educator and practitioner who creates works on paper, sculpture, and collaborative events that invite audience participation. She was a United States Artists Fellow in 2010. Smith’s work has been exhibited at institutions including the San Francisco Museum of Modern Art; Palais de Tokyo, Paris; and MOMA PS1, New York.

    Smith’s Pendleton blanket is an original design created in conjunction with the FOR-SITE exhibition International Orange​ (on view in San Francisco from September 10 – December 18, 2016). Inspired by the 75th anniversary of the completion of the Golden Gate Bridge, the design incorporates the bridge’s iconic silhouette as well as a compass rose and a gradient of sky from pale blue to black.

    First created in March 2011, the Street Studios Project is a communal family photo album that began with the set-up of free outdoor photographic studios on more than 20 street corners and public spaces around the world. In each community we visited, the artist created public photo studio sets and invited any passing families and individuals to pose for a portrait. The photos were then printed on site and given to each participant to take away with them for their own family album. From street corners in informal settlements in Cape Town, to refugee camps in the DRC and South Sudan, a working rock quarry in Madagascar, neighborhoods in Mumbai, India, and parks and migrant shelters in Tijuana, Mexico, the studios are set up with the understanding that a family photograph can be a powerful and precious object.

    Both a participatory art performance as well as a communal gathering space, the Studios are open and at the same time very intimate. By creating space for public displays of love and identity, they offer the community and individuals an affirmation of their heritage and belonging. With thousands of photographs taken over almost an 8-year period, Street Studios is an archive of family and love, an archive that documents not what makes things fall apart but what keeps them together.

    Alexia Webster is a South African photographer and visual artist whose work explores intimacy, family and identity across the African continent and beyond. In 2013, she was awarded the Artraker Award for Art in Conflict, the CAP Prize for Contemporary African Photography, and in 2007 she received the Frank Arisman Scholarship at the International Centre of Photography, New York. Her work has been widely exhibited across South Africa, Nigeria, Mali, the United States, Europe and India and published in numerous international publications including the New York Times and National Geographic. Currently Webster is working on a project in the eastern rainforests of Madagascar as part of a National Geographic Explorers Grant.

    Limited Edition Artwork based on artist's contribution to ​Homeland Security​, FOR-SITE Foundation, 2016.

    This editioned work commemorates Pred’s sculptural installation titled Encirclement. Soon after the homeland security regulations following 9/11 went into effect, Swedish American conceptual artist Michele Pred began lobbying for access to the objects confiscated from travelers by the newly established Transportation Security Administration at San Francisco International Airport. For most of a decade, she used thousands of the sharp or combustible items to create a series of assemblages that express how our lives were transformed by 9/11 and our collective reactions to it. “Scissors,” she explains, “were a particularly interesting symbol of that time in that they could represent all the lives cut short, the pain of their families, and how what was once a mundane household tool was now considered a threat.” The intimate, personal nature of the objects and their exaggerated danger highlight the ways we sacrifice privacy in exchange for illusions of safety.

    Limited Edition Artwork based on artist's contribution to​ International Orange​, FOR-SITE Foundation, 2012.

    Assorted objects include: heath ceramic cup and saucer, book, DVD, matted painted panel, pencil and eraser keychain, handmade production of Golden Gate Bridge rivet, silkscreened tote bag, 1/4 pint of International Orange Bridge paint, flag, five postcard set, International Orange business card, car deodorizer, and fabric swatch.

    Please note, individual items are packaged in an editioned box.

    Limited Edition Artwork based on artists' contribution to ​International Orange​, FOR-SITE Foundation, 2012.

    For the 2016 FOR-SITE exhibition ​International Orange​, Mark Dion and Dana Sherwood conducted what Dion called “fantastical archaeology,” envisioning the kinds of artifacts that one might find at Fort Point if it had been inundated by the sea long ago. Their installation presented sculptural versions of everyday items made to look as though they had spent a century underwater. These ordinary objects become hybrids of the natural and the human-made, marvelous artifacts of the historical imagination. Concretion is a print multiple produced with Paulson Bott Press in Berkeley (now Paulson Fontaine) to accompany the sculptural installation.

    Mark Dion is known for incorporating elements of biology, archaeology, ethnography, and the history of science into his work. Traveling the world and collaborating with scientists, artists, and museums, Dion has excavated artifacts from the banks of the Thames River in London, established a marine life laboratory using specimens from New York City’s Chinatown, and created a contemporary cabinet of curiosities exploring natural and philosophical hierarchies. His work has been presented internationally at major museu

    Dana Sherwood received her BFA from the University of Maine and a Post-baccalaureate from the Maryland Institute College of Art. She has been included in exhibitions at the Kennedy Museum of Art, Athens, OH; Dia Foundation at the Hispanic Society of America, New York; and Scaramouche Gallery, New York. Sherwood has frequently collaborated on projects with Mark Dion, including ​The Tuileries Conservatory for Confectionery Curiosities​ (2008), exhibited in the Tuileries Garden in Paris.

    Limited Edition Artwork based on artist's rug design for ​Sanctuary,​ FOR-SITE Foundation, 2017.

    “Understanding the radical ways in which two people can perceive the same object with differing complexity is at the core of my investigation,” Sanaz Mazinani says. Her untitled ​Sanctuary​ design highlights the particular potency and significance of explosions, which have emerged as dominant visual tropes over her twelve years of examining news images for photographic montages. “For me, the symbolic likeness of an explosion stands in for an act of violence, but also for depictions of power . . . The explosion becomes a sublime entity to be feared and adored,” she explains. “Here, the explosion’s ability to obfuscate becomes a metaphor for politics, a symbol for the veils that simultaneously obscure and complicate reality.”

  • Sanctuary - Merchandise

    Thirty-six international artists consider the nature of sanctuary through an interactive installation of hand-woven rugs, offering visitors a multiplicity of perspectives on this basic human need. Learn More

  • Sanctuary Catalogue

    The Sanctuary exhibition catalogue, which includes contextualizing essays by Rebecca Solnit and Minoo Moallem, a photo essay chronicling the rug-making process, and rug images and descriptive texts for each of the 36 featured artists.

    Price: $15.00 Quantity:
  • Home Land Security - Merchandise

    Occupying a suite of former military structures in the Presidio overlooking the San Francisco Bay, Home Land Security brought together works by contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name. Learn More

  • Baseball Hat

    Price: $15.00 Quantity:
  • Windbreaker

    Available in Medium and Large (please note that sizes run large). Specify size in the “notes” section at checkout.

    Price: $35.00 Quantity:
  • @Large: Ai Weiwei on Alcatraz - Merchandise

    Revealing new perspectives on Alcatraz, @Large: Ai Weiwei on Alcatraz raised questions about freedom of expression and human rights that resonated far beyond this particular place. Learn More

  • @Large: Ai Weiwei on Alcatraz Catalogue

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    Price: $40.00 Quantity:
  • Pen

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  • Eraser

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  • Luggage Tag

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  • Magnet—Act

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  • Magnet—Creativity

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  • Magnet—Escape

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  • Magnet—Express

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  • #LandsEnd featured artist Andrea Chung’s video Come Back to Jamaica (2009), & Come Back to Yourself (2013), will be… https://t.co/HXwouRNnBa
  • FOR-SITE is thrilled to partner with local chefs & mixologists in hosting small, safe cocktail parties & suppers on… https://t.co/q1lElox0gx

Instagram

FOR-SITE collaborator @hankwillisthomas & artist @wideawakes designed  #EyesonIran flying billboards in solidarity with the women of Iran. 

The billboards can be seen this week on South beach, Miami and at @untitledartfair 

@forfreedoms multi-day, multi-media art installation spans Miami and artworks throughout @4freedomspark in NYC
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FOR-SITE collaborator @hankwillisthomas & artist @wideawakes designed #EyesonIran flying billboards in solidarity with the women of Iran. The billboards can be seen this week on South beach, Miami and at @untitledartfair @forfreedoms multi-day, multi-media art installation spans Miami and artworks throughout @4freedomspark in NYC
2 months ago
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1/9
This #GivingTuesday we want to celebrate and honor YOU and the other partners and supporters who have buoyed our wildest dreams. Access to all of our exhibition sites these past years—from the former Cliff House to Alcatraz to military batteries and churches—was gifted to us from our park partners. The 110 artists with whom we have worked blew us away with breathtaking, career-defining work, often under short order. FOR-SITE simply would not exist without the well of generosity and cooperation that is our friends, and we intend to express our gratitude this year. 

You can continue to support FOR-SITE by donating today at the link in bio.
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This #GivingTuesday we want to celebrate and honor YOU and the other partners and supporters who have buoyed our wildest dreams. Access to all of our exhibition sites these past years—from the former Cliff House to Alcatraz to military batteries and churches—was gifted to us from our park partners. The 110 artists with whom we have worked blew us away with breathtaking, career-defining work, often under short order. FOR-SITE simply would not exist without the well of generosity and cooperation that is our friends, and we intend to express our gratitude this year. You can continue to support FOR-SITE by donating today at the link in bio.
2 months ago
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2/9
The participating artists of FOR-SITE’s 2018 exhibition SANCTUARY, represented diverse ideologies and backgrounds (many including experiences as migrants and refugees), but their contributions to the exhibition—spectacularly varied in content and design—conformed to a single format, lending a unifying element that bridged racial, cultural, and religious differences. Installed on the floor of the historic Fort Mason Chapel, the four-by-six-foot wool rugs—woven in Lahore, Pakistan, using traditional materials and hand-knotting techniques—called to mind traditional prayer rugs, but they transcended religious connotations, encompassing thoughtful viewpoints on cultural identity, sense of place, and belonging.

Photo by @robertdiversherrick
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The participating artists of FOR-SITE’s 2018 exhibition SANCTUARY, represented diverse ideologies and backgrounds (many including experiences as migrants and refugees), but their contributions to the exhibition—spectacularly varied in content and design—conformed to a single format, lending a unifying element that bridged racial, cultural, and religious differences. Installed on the floor of the historic Fort Mason Chapel, the four-by-six-foot wool rugs—woven in Lahore, Pakistan, using traditional materials and hand-knotting techniques—called to mind traditional prayer rugs, but they transcended religious connotations, encompassing thoughtful viewpoints on cultural identity, sense of place, and belonging. Photo by @robertdiversherrick
2 months ago
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3/9
#LandsEnd featured artist @suzannehusky has explored interactions among humans, animals, and plants through a multifaceted art practice that includes sculpture, installation, photography, and film for the last 20 years. 

Husky sculpts her trees from used clothes and found textiles, translating our cast-off clothing—informed by age and gender, class, culture, and politics—to the individualizing characteristics of trees, suggesting the deep interconnectedness of humans and their natural surroundings. “Forest” is both an homage to an ecological system that supports countless plant and animal species and a memorial to that same system under threat of erasure. #artaboutplace
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#LandsEnd featured artist @suzannehusky has explored interactions among humans, animals, and plants through a multifaceted art practice that includes sculpture, installation, photography, and film for the last 20 years. Husky sculpts her trees from used clothes and found textiles, translating our cast-off clothing—informed by age and gender, class, culture, and politics—to the individualizing characteristics of trees, suggesting the deep interconnectedness of humans and their natural surroundings. “Forest” is both an homage to an ecological system that supports countless plant and animal species and a memorial to that same system under threat of erasure. #artaboutplace
2 months ago
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4/9
#LandsEnd featured artist @danielbeltraphoto’s striking, large-scale aerial photographs of melting polar ice caps and oil spills highlight the rate and scale at which humanity is impacting our world. His juxtapositions of nature and destruction provide an almost overwhelming sense of physical scale and emotional dread, through flattened but dynamic images that flirt with abstraction.
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#LandsEnd featured artist @danielbeltraphoto’s striking, large-scale aerial photographs of melting polar ice caps and oil spills highlight the rate and scale at which humanity is impacting our world. His juxtapositions of nature and destruction provide an almost overwhelming sense of physical scale and emotional dread, through flattened but dynamic images that flirt with abstraction.
3 months ago
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5/9
FOR-SITE turns 20 in 2023! We feel extremely grateful to all of you, the artists, and to our long-standing park partners, the Golden Gate National Parks Conservancy (@parksconservancy), the Presidio Trust (@presidiosf), and the @nationalparkservice, for such outstanding companionship and support of our work.

Stay tuned! The celebrations begin next month, in December, followed by a milestone anniversary year punctuated by programs and events, and a to-be-announced biennial exhibition open to the public.

In the meantime, you may have noticed we changed our name and branding, with our new website coming soon. The FOR-SITE Foundation is now FOR-SITE, yet we remain dedicated to the creation, understanding, and presentation of art about place.

We look forward to celebrating with you this next year!
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FOR-SITE turns 20 in 2023! We feel extremely grateful to all of you, the artists, and to our long-standing park partners, the Golden Gate National Parks Conservancy (@parksconservancy), the Presidio Trust (@presidiosf), and the @nationalparkservice, for such outstanding companionship and support of our work. Stay tuned! The celebrations begin next month, in December, followed by a milestone anniversary year punctuated by programs and events, and a to-be-announced biennial exhibition open to the public. In the meantime, you may have noticed we changed our name and branding, with our new website coming soon. The FOR-SITE Foundation is now FOR-SITE, yet we remain dedicated to the creation, understanding, and presentation of art about place. We look forward to celebrating with you this next year!
3 months ago
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6/9
Election Day has arrived! VOTE for the planet and the future you want to see in the world 🌍🌊 🗳️
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Election Day has arrived! VOTE for the planet and the future you want to see in the world 🌍🌊 🗳️
3 months ago
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7/9
@anateresafernandez talking sea bodies and On the Horizon on @kqed live. #LandsEnd
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@anateresafernandez talking sea bodies and On the Horizon on @kqed live. #LandsEnd
3 months ago
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8/9
“The response among members of the visual arts community in the Bay Area was swift and certain: The Times story, a consensus of those who spoke with The Chronicle said, does not represent the region accurately, and they do not see a local decline.

The most common criticism of the Times’ reporting was that San Francisco should not be viewed through the lens of an art market, but rather as a larger arts community consisting of many public and private institutions as well as independent artists, arts workers and patrons.” - @tonybravosf 

@anateresafernandez “On the Horizon” at #FORSITE’s #LandsEnd exhibition featured  in @tonybravosf “S.F.’s art scene, disparaged by the New York Times, pushes back” for @sfchronicle_datebook
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“The response among members of the visual arts community in the Bay Area was swift and certain: The Times story, a consensus of those who spoke with The Chronicle said, does not represent the region accurately, and they do not see a local decline. The most common criticism of the Times’ reporting was that San Francisco should not be viewed through the lens of an art market, but rather as a larger arts community consisting of many public and private institutions as well as independent artists, arts workers and patrons.” - @tonybravosf @anateresafernandez “On the Horizon” at #FORSITE’s #LandsEnd exhibition featured in @tonybravosf “S.F.’s art scene, disparaged by the New York Times, pushes back” for @sfchronicle_datebook
3 months ago
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9/9

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