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Sanctuary School & Community Groups

back to Sanctuary

 

  • What age group/class level is Sanctuary appropriate for?
  • Is an exhibition curriculum available?
  • Is there a maximum number of students per school group?
  • Is the exhibition ADA accessible?
  • How do I schedule a visit?
  • How long will my visit last?
  • Is there a guided tour?
  • If we schedule a visit for a specific time, may we arrive earlier
    and look around on our own?
  • How many chaperones should I bring?
  • What do I do when I arrive at Sanctuary for my scheduled visit?
  • What bus and bus parking options are available?
  • Where can we eat lunch?
  • Are their other points interest that my class can visit in and around Fort Mason?
  • Is there an admission cost?
  • Can we take photographs?
  • Anything else I should know?
  • If I have additional questions now or before my visit, whom can I ask?


What age group/class level is Sanctuary appropriate for?

Sanctuary is appropriate for students of all class levels, ages 5 and older.


Is an exhibition curriculum available?

Yes. We offer a separate curricula for grades K-2, 3-5, 6-8, and 9-12.


Is there a maximum number of students per school group?

We recommend a maximum group size of 30.


Is the exhibition ADA accessible?

The exhibition and Fort Mason Chapel is ADA accessible. Large print and braille versions of exhibition interpretative materials are available.


How do I schedule a visit?

To schedule a class visit, please email FOR-SITE program director Jackie von Treskow at [email protected], or call (415) 362-9330.


How long will my visit last?

We recommend allotting a minimum of one hour for your visit.


Is there a guided tour?

A Sanctuary Art Guide will provide your class with a brief orientation and overview of the exhibition and the site, and will be available to answer questions and facilitate dialogue for the duration of your visit.


If we schedule a visit for a specific time, may we arrive earlier and look around on our own?

If your visit is scheduled on a Monday or Tuesday, which is outside of the exhibition’s public hours, the chapel will be opened at the time of your visit. If you arrive early, you are welcome to explore the grounds of upper Fort Mason at your discretion.


How many chaperones should I bring?

We recommend at least one chaperone for every 10 students.


What do I do when I arrive at Sanctuary for my scheduled visit?

You will be greeted by an Art Guide immediately upon entering the Fort Mason Chapel. All visitors must remove their shoes before entering the exhibition space. Shoe storage is provided, as well as socks for those with bare feet.


What bus and bus parking options are available?

Buses can drop students off directly in front of the Fort Mason Chapel. Bus parking is available in Fort Mason Center or the Marina Green (free) parking lots. If your school needs transportation assistance, please contact Alison Konecki at [email protected].


Where can we eat lunch?

There is no food or drink allowed in Sanctuary. There are a small number of picnic tables available in the nearby Fort Mason Community Garden, and the lower Fort Mason campus, and plenty of places to sit on the grass in front of the General Residence or in the Great Meadow.


Are their other points interest that my class can visit in and around Fort Mason?

  • Fort Mason Center for Arts and Culture
  • The Great Meadow
  • Black Point Batteries
  • Aquatic Park Cove
  • Maritime National Historical Park, Maritime Museum


Is there an admission cost?

As with all FOR-SITE projects, Sanctuary is free and open to the public.


Can we take photographs?

Yes!


Anything else I should know?

The Sanctuary artist rugs are intended to be walked on and touched, therefore we ask that all visitors remove their shoes before entering the exhibition space. Bare feet are not permitted. Socks are provided free-of-charge for those who need them.


If I have additional questions now or before my visit, whom can I ask?

Please email FOR-SITE program director Jackie von Treskow at [email protected], or call (415) 362-9330.

More Information: Sanctuary

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Facebook

For-Site Foundation

Twitter

  • #LandsEnd featured artist Andrea Chung’s video Come Back to Jamaica (2009), & Come Back to Yourself (2013), will be… https://t.co/HXwouRNnBa
  • FOR-SITE is thrilled to partner with local chefs & mixologists in hosting small, safe cocktail parties & suppers on… https://t.co/q1lElox0gx

Instagram

FOR-SITE collaborator @hankwillisthomas & artist @wideawakes designed  #EyesonIran flying billboards in solidarity with the women of Iran. 

The billboards can be seen this week on South beach, Miami and at @untitledartfair 

@forfreedoms multi-day, multi-media art installation spans Miami and artworks throughout @4freedomspark in NYC
•
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FOR-SITE collaborator @hankwillisthomas & artist @wideawakes designed #EyesonIran flying billboards in solidarity with the women of Iran. The billboards can be seen this week on South beach, Miami and at @untitledartfair @forfreedoms multi-day, multi-media art installation spans Miami and artworks throughout @4freedomspark in NYC
2 months ago
View on Instagram |
1/9
This #GivingTuesday we want to celebrate and honor YOU and the other partners and supporters who have buoyed our wildest dreams. Access to all of our exhibition sites these past years—from the former Cliff House to Alcatraz to military batteries and churches—was gifted to us from our park partners. The 110 artists with whom we have worked blew us away with breathtaking, career-defining work, often under short order. FOR-SITE simply would not exist without the well of generosity and cooperation that is our friends, and we intend to express our gratitude this year. 

You can continue to support FOR-SITE by donating today at the link in bio.
•
Follow
This #GivingTuesday we want to celebrate and honor YOU and the other partners and supporters who have buoyed our wildest dreams. Access to all of our exhibition sites these past years—from the former Cliff House to Alcatraz to military batteries and churches—was gifted to us from our park partners. The 110 artists with whom we have worked blew us away with breathtaking, career-defining work, often under short order. FOR-SITE simply would not exist without the well of generosity and cooperation that is our friends, and we intend to express our gratitude this year. You can continue to support FOR-SITE by donating today at the link in bio.
2 months ago
View on Instagram |
2/9
The participating artists of FOR-SITE’s 2018 exhibition SANCTUARY, represented diverse ideologies and backgrounds (many including experiences as migrants and refugees), but their contributions to the exhibition—spectacularly varied in content and design—conformed to a single format, lending a unifying element that bridged racial, cultural, and religious differences. Installed on the floor of the historic Fort Mason Chapel, the four-by-six-foot wool rugs—woven in Lahore, Pakistan, using traditional materials and hand-knotting techniques—called to mind traditional prayer rugs, but they transcended religious connotations, encompassing thoughtful viewpoints on cultural identity, sense of place, and belonging.

Photo by @robertdiversherrick
•
Follow
The participating artists of FOR-SITE’s 2018 exhibition SANCTUARY, represented diverse ideologies and backgrounds (many including experiences as migrants and refugees), but their contributions to the exhibition—spectacularly varied in content and design—conformed to a single format, lending a unifying element that bridged racial, cultural, and religious differences. Installed on the floor of the historic Fort Mason Chapel, the four-by-six-foot wool rugs—woven in Lahore, Pakistan, using traditional materials and hand-knotting techniques—called to mind traditional prayer rugs, but they transcended religious connotations, encompassing thoughtful viewpoints on cultural identity, sense of place, and belonging. Photo by @robertdiversherrick
3 months ago
View on Instagram |
3/9
#LandsEnd featured artist @suzannehusky has explored interactions among humans, animals, and plants through a multifaceted art practice that includes sculpture, installation, photography, and film for the last 20 years. 

Husky sculpts her trees from used clothes and found textiles, translating our cast-off clothing—informed by age and gender, class, culture, and politics—to the individualizing characteristics of trees, suggesting the deep interconnectedness of humans and their natural surroundings. “Forest” is both an homage to an ecological system that supports countless plant and animal species and a memorial to that same system under threat of erasure. #artaboutplace
•
Follow
#LandsEnd featured artist @suzannehusky has explored interactions among humans, animals, and plants through a multifaceted art practice that includes sculpture, installation, photography, and film for the last 20 years. Husky sculpts her trees from used clothes and found textiles, translating our cast-off clothing—informed by age and gender, class, culture, and politics—to the individualizing characteristics of trees, suggesting the deep interconnectedness of humans and their natural surroundings. “Forest” is both an homage to an ecological system that supports countless plant and animal species and a memorial to that same system under threat of erasure. #artaboutplace
3 months ago
View on Instagram |
4/9
#LandsEnd featured artist @danielbeltraphoto’s striking, large-scale aerial photographs of melting polar ice caps and oil spills highlight the rate and scale at which humanity is impacting our world. His juxtapositions of nature and destruction provide an almost overwhelming sense of physical scale and emotional dread, through flattened but dynamic images that flirt with abstraction.
•
Follow
#LandsEnd featured artist @danielbeltraphoto’s striking, large-scale aerial photographs of melting polar ice caps and oil spills highlight the rate and scale at which humanity is impacting our world. His juxtapositions of nature and destruction provide an almost overwhelming sense of physical scale and emotional dread, through flattened but dynamic images that flirt with abstraction.
3 months ago
View on Instagram |
5/9
FOR-SITE turns 20 in 2023! We feel extremely grateful to all of you, the artists, and to our long-standing park partners, the Golden Gate National Parks Conservancy (@parksconservancy), the Presidio Trust (@presidiosf), and the @nationalparkservice, for such outstanding companionship and support of our work.

Stay tuned! The celebrations begin next month, in December, followed by a milestone anniversary year punctuated by programs and events, and a to-be-announced biennial exhibition open to the public.

In the meantime, you may have noticed we changed our name and branding, with our new website coming soon. The FOR-SITE Foundation is now FOR-SITE, yet we remain dedicated to the creation, understanding, and presentation of art about place.

We look forward to celebrating with you this next year!
•
Follow
FOR-SITE turns 20 in 2023! We feel extremely grateful to all of you, the artists, and to our long-standing park partners, the Golden Gate National Parks Conservancy (@parksconservancy), the Presidio Trust (@presidiosf), and the @nationalparkservice, for such outstanding companionship and support of our work. Stay tuned! The celebrations begin next month, in December, followed by a milestone anniversary year punctuated by programs and events, and a to-be-announced biennial exhibition open to the public. In the meantime, you may have noticed we changed our name and branding, with our new website coming soon. The FOR-SITE Foundation is now FOR-SITE, yet we remain dedicated to the creation, understanding, and presentation of art about place. We look forward to celebrating with you this next year!
3 months ago
View on Instagram |
6/9
Election Day has arrived! VOTE for the planet and the future you want to see in the world 🌍🌊 🗳️
•
Follow
Election Day has arrived! VOTE for the planet and the future you want to see in the world 🌍🌊 🗳️
3 months ago
View on Instagram |
7/9
@anateresafernandez talking sea bodies and On the Horizon on @kqed live. #LandsEnd
•
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@anateresafernandez talking sea bodies and On the Horizon on @kqed live. #LandsEnd
3 months ago
View on Instagram |
8/9
“The response among members of the visual arts community in the Bay Area was swift and certain: The Times story, a consensus of those who spoke with The Chronicle said, does not represent the region accurately, and they do not see a local decline.

The most common criticism of the Times’ reporting was that San Francisco should not be viewed through the lens of an art market, but rather as a larger arts community consisting of many public and private institutions as well as independent artists, arts workers and patrons.” - @tonybravosf 

@anateresafernandez “On the Horizon” at #FORSITE’s #LandsEnd exhibition featured  in @tonybravosf “S.F.’s art scene, disparaged by the New York Times, pushes back” for @sfchronicle_datebook
•
Follow
“The response among members of the visual arts community in the Bay Area was swift and certain: The Times story, a consensus of those who spoke with The Chronicle said, does not represent the region accurately, and they do not see a local decline. The most common criticism of the Times’ reporting was that San Francisco should not be viewed through the lens of an art market, but rather as a larger arts community consisting of many public and private institutions as well as independent artists, arts workers and patrons.” - @tonybravosf @anateresafernandez “On the Horizon” at #FORSITE’s #LandsEnd exhibition featured in @tonybravosf “S.F.’s art scene, disparaged by the New York Times, pushes back” for @sfchronicle_datebook
3 months ago
View on Instagram |
9/9

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