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  • Allison Smith, Fort Point Bunting, 2012 (installation view); photo: Ben Blackwell
  • Stephanie Syjuco, <em>The International Orange Commemorative Store (A Proposition)</em>, 2012 (installation view); photo: Jan Stürmann
  • Anandamayi Arnold, <em>Fiesta Queens</em>, 2012 (installation view); photo: Ben Blackwell
  • Abelardo Morell, <em>Vertigo</em>, 2012 (installation view); photo: Ben Blackwell
  • Mark Dion and Dana Sherwood, <em>Encrustations</em>, 2012 (installation detail); photo: Jan Stürmann
Past

International Orange

May 25 – October 28, 2012 at Fort Point

Celebrating the 75th anniversary of the Golden Gate Bridge, International Orange — named in honor of the unique paint color of the span — offered fresh perspectives on an enduring landmark. This exhibition at Fort Point presented new work by contemporary artists responding to the bridge as icon, historic structure, and conceptual inspiration.

The 16 contributing artists approached the bridge with diverse and distinctively individual aesthetics, materials, and points of view. Some investigated the bridge’s history — real or imagined — while others contemplated the natural history of the environment around it, exploring the conditions of water and weather particular to the Golden Gate. Some conveyed the grandeur of this monumental structure; others documented the everyday details that bring it down to human scale. Many works considered a combination of these factors, either directly or metaphorically.

Fort Point, the setting for International Orange, has stood at the entrance to San Francisco Bay since 1861. Although it is now literally overshadowed by the Golden Gate Bridge, the Civil War–era fort is a compelling location in itself, with arresting architecture and an intriguing history. While the bridge was the central focus of the exhibition, the artworks on view were developed specifically for installation at the fort, and the interplay between these two historic structures enriched the experience of the exhibition as a whole.

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Featured Works

  • Fiesta Queens (installation view)
    Anandamayi ArnoldFiesta Queens
  • Encrustations (installation detail)
    Mark Dion and Dana SherwoodEncrustations
  • Acoustical Visions of the Golden Gate Bridge (installation view)
    Bill FontanaAcoustical Visions of the Golden Gate Bridge
  • Gatekeepers (installation view)
    Andy FreebergGatekeepers
  • Chrysopylae (installation view)
    Doug HallChrysopylae
  • Sea Vision T.V. (installation view)
    Courtney LainSea Vision T.V.
  • One Cubic Foot: Life Under the Golden Gate Bridge (installation view)
    David LiittschwagerOne Cubic Foot: Life Under the Golden Gate Bridge
  • Vertigo (installation view)
    Abelardo MorellVertigo and Tent Camera Photographs
  • Reveille (installation view)
    Cornelia ParkerReveille
  • Average — The Golden Gate Edition (installation view)
    Kate PocrassAverage — The Golden Gate Edition
  • K-BRIDGE: Radio That Spans the Golden Gate (installation view)
    Jeannene PrzyblyskiK-BRIDGE
  • Fort Point Bunting (installation view)
    Allison SmithFort Point Bunting and Trench Art
  • The International Orange Commemorative Store (A Proposition) (installation view)
    Stephanie SyjucoThe International Orange Commemorative Store (A Proposition)
  • Camille Utterback, Span, 2012 (installation view); photo: Ben Blackwell
    Camille UtterbackSpan
  • muhf-uhl (installation view)
    Pae Whitemuhf-uhl

Related Media

  • Video: Inside International Orange
  • Anandamayi Arnold, Fiesta Queens, 2012 (installation view); photo: Ben Blackwell
    Mark Dion and Dana Sherwood, Encrustations, 2012 (installation view); photo: Jan Stürmann
    Bill Fontana, Acoustical Visions of the Golden Gate Bridge, 2012 (installation view); photo: Jan Stürmann
    Andy Freeberg, Gatekeepers, 2012 (installation view); photo: Ben Blackwell
    Doug Hall, Chrysopylae, 2012 (installation view); photo: Ben Blackwell
    Courtney Lain, Sea Vision T.V., 2012 (installation view); photo: Ben Blackwell
    David Liittschwager, One Cubic Foot: Life Under the Golden Gate Bridge, 2012 (installation view); photo: Ben Blackwell
    Abelardo Morell, Vertigo, 2012 (installation view); photo: Ben Blackwell
    Abelardo Morell, Tent Camera Photographs, 2012 (installation view); photo: Ben Blackwell
    Cornelia Parker, Reveille,, 2010 (installation view); photo: Jan Stürmann
    Kate Pocrass, Average—The Golden Gate Edition, 2012 (installation view); photo: Ben Blackwell
    Jeannene Przyblyski, K-BRIDGE: Radio That Spans the Golden Gate, 2012 (installation view); photo: Ben Blackwell
    Allison Smith, Fort Point Bunting, 2012 (installation view); photo: Ben Blackwell
    Allison Smith, Trench Art, 2012 (installation view); photo: Ben Blackwell
    Stephanie Syjuco, The International Orange Commemorative Store (A Proposition), 2012 (installation view); photo: Ben Blackwell
    Camille Utterback, Span, 2012 (installation view); photo: Ben Blackwell
    Pae White, muhf-uhl, 2012 (installation view); photo: Ben Blackwell
    Installation Views
  • In the Press
International Orange was organized by the FOR-SITE Foundation in partnership with the Golden Gate National Parks Conservancy and the National Park Service.

FOR-SITE Foundation project team: Cheryl Haines, executive director and exhibition curator; Marnie Burke de Guzman, special projects director; Lisa Martin, associate program director; Amanda Curreri, program associate; Susannah Magers, visitor engagement services manager; Jennifer Burke/Industry, visual design; Juliet Clark, writer and editor; Jan Stürmann, video production.

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    • @Large: Ai Weiwei on Alcatraz
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    • International Orange
      • Anandamayi Arnold
      • Mark Dion and Dana Sherwood
      • Bill Fontana
      • Andy Freeberg
      • Doug Hall
      • Courtney Lain
      • David Liittschwager
      • Abelardo Morell
      • Cornelia Parker
      • Kate Pocrass
      • Jeannene Przyblyski
      • Allison Smith
      • Stephanie Syjuco
      • Camille Utterback
      • Pae White
    • Presidio Habitats
    • The Marvelous Museum: A Mark Dion Project
    • Pae White: In Between the Outside-In
    • Chris Drury: Mushrooms | Clouds
    • Shi Guorui: Reproduction and Refashioning
    • Richard Long: The Path Is the Place Is the Line
    • New Work by Cornelia Parker
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Field Notes

  • International Orange Selected as a Finalist in Americans for the Arts’ Year in Review

  • Congratulations to KQED for Their Coverage of International Orange!

  • Complimentary One-Day artMRKT Passes Courtesy of FOR-SITE!

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Sanctuary Salon (January 26, 2018)

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Sanctuary Salon (December 14, 2017)

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  • It's a full house (er, Chapel) tonight for FOR-SITE's first #Sanctuary Salon https://t.co/ABOANPBfeV
  • Happening now: Free #silkscreening workshops with #SanctuaryPrintShop outside #Sanctuary @FortMasoninSF Chapel https://t.co/4BGs628mct

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  • FOR-SITE visited “Joan Jonas: They Come to Us without a Word” at @fortmasoncenter today and were struck by the installation “Nine Trees.” The work was originally made for the courtyard of the U.S. Pavilion in Venice, and consisted of trunks harvested from Certosa Island, a former military site in the Venetian Lagoon. Fittingly, the piece at Fort Mason incorporates eucalyptus trees from @presidiosf (also a former military site). As with the rest of “They Come to Us without a Word,” the piece speaks to the human impact on nature and existing ecosystems. The Presidio eucalyptus used in the work is a non-native species that was planted by the U.S. Army in the 1880’s, and fundamentally changed the landscape from windswept sand to the existing park forest. __ Joan Jonas: They Come to Us without a Word” is on view in Gallery 308 @fortmasoncenter Wed. - Sat. Noon to 8pm and Sun. 11am to 5pm through March 10. Admission is free, but reserving tickets in advance via the Fort Mason website is strongly encouraged. __ #ArtAboutPlace #PublicArt #ArtAtTheFort
  • A burst of sun amidst the storm had us running outside to take in the moment of reprieve. And there it was — a lovely rainbow 🌈 Having an office at @fortmasoncenter definitely has its #WorkPerks.
  • Didn’t snag an RSVP to @cheryllhaines’ sold-out talk February 6? Don’t worry — a video of the event will be posted to the @thachergalleryusf’s YouTube channel a week or so later. We’ll be sure to direct you there once it’s available! __ Bonus: February 6 is also the Community Town Hall hosted by San Francisco Arts Commission and Grants for the Arts where they will share the proposed plan for implementing the new Arts Impact Endowment Fund and father feedback from the public. Make your thoughts known! The event is free, but registration is required. Link in bio. 📷: Jan Stürmann #ArtAboutPlace
  • Peruse catalogues, check out art, or just have a chat — we’re at @untitledartfair today until 8pm and Saturday and Sunday from noon until 6pm.

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Field Notes

  • Allison Stone talks Art in the Presidio

  • Art in the Parks and “Home Land Security”: A Partner’s Perspective

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