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Average — The Golden Gate Edition (installation view)
International Orange

Kate Pocrass

Average — The Golden Gate Edition

Kate Pocrass offered a free special edition of her magazine Average. She worked with National Park Service and Golden Gate Transportation District staff and visitors to produce a playful field guide exploring the bridge and its surroundings. Rather than focusing on the structure’s official history or architectural features, the publication brought to light the quiet details and human stories of daily life at and around the bridge.

  • Video: Kate Pocrass
  • Kate Pocrass, Average—The Golden Gate Edition, 2012 (installation view); photo: Ben Blackwell
    Kate Pocrass, Average—The Golden Gate Edition, 2012 (installation view); photo: Ben Blackwell
    Installation Views
Kate Pocrass
Kate PocrassAmerican, born 1977

Kate Pocrass produces both independent and collaborative projects that revel in the commonality of the everyday. Her work has been shown at the Yerba Buena Center for the Arts, San Francisco, and the Orange County Museum of Art, Newport Beach, California, and she was selected as a 2011 artist in residence at the Hammer Museum in Los Angeles.

Kate Pocrass Website

Top: Kate Pocrass, Average — The Golden Gate Edition, 2012 (installation view); photo: Ben Blackwell

Projects

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  • On View
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    • Sanctuary
    • Home Land Security
    • @Large: Ai Weiwei on Alcatraz
    • Art About Place: FOR-SITE Foundation at the Presidio
    • International Orange
      • Anandamayi Arnold
      • Mark Dion and Dana Sherwood
      • Bill Fontana
      • Andy Freeberg
      • Doug Hall
      • Courtney Lain
      • David Liittschwager
      • Abelardo Morell
      • Cornelia Parker
      • Kate Pocrass
      • Jeannene Przyblyski
      • Allison Smith
      • Stephanie Syjuco
      • Camille Utterback
      • Pae White
    • Presidio Habitats
    • The Marvelous Museum: A Mark Dion Project
    • Pae White: In Between the Outside-In
    • Chris Drury: Mushrooms | Clouds
    • Shi Guorui: Reproduction and Refashioning
    • Richard Long: The Path Is the Place Is the Line
    • New Work by Cornelia Parker
  • Plan a Visit
  • Artist Programs

Field Notes

  • International Orange Selected as a Finalist in Americans for the Arts’ Year in Review

  • Congratulations to KQED for Their Coverage of International Orange!

  • Complimentary One-Day artMRKT Passes Courtesy of FOR-SITE!

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Sanctuary Salon (February 23, 2018)

Sanctuary Salon (February 23, 2018)

Echoing Sanctuary's ethos of plurality, the "Sanctuary Salon" series weaves together the voices of artists whose practices span creative disciplines, including ...

Brendan Fernandes: Safely (2017)

Brendan Fernandes: Safely (2017)

As part of his commission for "Sanctuary," Brendan Fernandes presented a site-specific durational performance that explored themes of reverence and sacred ...

Panel Discussion: Approaching the Rug as a Critical Form

Panel Discussion: Approaching the Rug as a Critical Form

Panel Discussion "Above the Rug: Approaching the Rug as a Critical Form" February 11, 2018 Historically and traditionally, rugs are a medium for cultural ...

Sanctuary

Sanctuary



Sanctuary Salon (January 26, 2018)

Sanctuary Salon (January 26, 2018)

Echoing the ethos of plurality embodied within FOR-SITE's exhibition "Sanctuary," the "Sanctuary Salon" series weaves together the voices of artists whose ...

Sanctuary Salon (December 14, 2017)

Sanctuary Salon (December 14, 2017)

Echoing the ethos of plurality embodied within FOR-SITE's exhibition "Sanctuary," the "Sanctuary Salon" series weaves together the voices of artists whose ...

Twitter

  • It's a full house (er, Chapel) tonight for FOR-SITE's first #Sanctuary Salon https://t.co/ABOANPBfeV
  • Happening now: Free #silkscreening workshops with #SanctuaryPrintShop outside #Sanctuary @FortMasoninSF Chapel https://t.co/4BGs628mct

Instagram

  • “…having to work, to earn a certain image, feels right. If it comes too easy, it might be suspect.” . . . A little inspiration for your Thursday, courtesy of artist #AbelardoMorell. Check out the full video, created for FOR-SITE’s past exhibition “International Orange” by visiting FOR-SITE’s YouTube channel (link in bio). There you’ll find many other artist interviews and interesting tidbits from our projects and programs over the years. #ArtAboutPlace #TBT
  • Deeply saddened to learn of the destruction of one of @aiww’s Beijing studios this weekend. No notice was given, works were damaged, and memories were lost. It’s a reminder that, while he may have his passport back, Wieiwei’s fight against the injustices of the Chinese government is far from over.
  • Before closing out our 5-year “Tree Fall” anniversary, we want to give another shout-out to all the volunteers who gave their time and sweat to making “Tree Fall” possible. 5 years on and we’re still incredibly grateful for their dedication. The installation was tough, but they all jumped into those Tyvek suits, pulled on their gloves, got down and dirty with the clay, and GOT. IT. DONE. #ArtAboutPlace
  • It’s here—day 9 of our 5-year “Tree Fall” anniversary where we get to share the finished work you all know and love! After 72 hours (3 days) the work dried and cracked. The cracking pattern was natural—no scoring, carving, or coaxing on the part of the artist was done to the work (except the impeccable planning and execution of the clay production and application, of course). After about a month, dehumidifiers were installed inside the work to ensure complete drying and mitigate any potential for mold growth. In October 2013, the work was open to the public. #ArtAboutPlace

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Field Notes

  • Allison Stone talks Art in the Presidio

  • Art in the Parks and “Home Land Security”: A Partner’s Perspective

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