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Chrysopylae (installation view)
International Orange

Doug Hall

Chrysopylae

Doug Hall’s immersive two-screen video installation challenged the familiar picture-postcard vision of the Golden Gate with a pair of contrasting perspectives. Emphasizing the monumentality of not only the Golden Gate Bridge, but also the massive container ships that pass beneath it, the installation revealed the bridge as part of an environment that is at once natural and human-made.

  • Video: Doug Hall
  • Doug Hall, Chrysopylae, 2012 (installation view); photo: Ben Blackwell
    Doug Hall, Chrysopylae, 2012 (installation view); photo: Ben Blackwell
    Doug Hall, Chrysopylae, 2012 (installation view); photo: Ben Blackwell
    Doug Hall, Chrysopylae, 2012 (installation view); photo: Ben Blackwell
    Doug Hall, Chrysopylae, 2012 (installation view); photo: Ben Blackwell
    Installation Views
Doug Hall
Doug HallAmerican, b. 1944

Born in San Francisco, Doug Hall has developed a diverse practice that includes performance, installation, video, and photography. A longtime teacher at the San Francisco Art Institute and a visiting artist at California College of the Arts, Hall is represented in the collections of major museums including the San Francisco Museum of Modern Art, The Museum of Modern Art in New York, Berlinische Galerie in Berlin, and Museum für Moderne Kunst in Vienna.

Top: Doug Hall, Chrysopylae, 2012 (installation view); photo: Ben Blackwell

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    • International Orange
      • Anandamayi Arnold
      • Mark Dion and Dana Sherwood
      • Bill Fontana
      • Andy Freeberg
      • Doug Hall
      • Courtney Lain
      • David Liittschwager
      • Abelardo Morell
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      • Allison Smith
      • Stephanie Syjuco
      • Camille Utterback
      • Pae White
    • Presidio Habitats
    • The Marvelous Museum: A Mark Dion Project
    • Pae White: In Between the Outside-In
    • Chris Drury: Mushrooms | Clouds
    • Shi Guorui: Reproduction and Refashioning
    • Richard Long: The Path Is the Place Is the Line
    • New Work by Cornelia Parker
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Field Notes

  • International Orange Selected as a Finalist in Americans for the Arts’ Year in Review

  • Congratulations to KQED for Their Coverage of International Orange!

  • Complimentary One-Day artMRKT Passes Courtesy of FOR-SITE!

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Sanctuary Salon (February 23, 2018)

Sanctuary Salon (February 23, 2018)

Echoing Sanctuary's ethos of plurality, the "Sanctuary Salon" series weaves together the voices of artists whose practices span creative disciplines, including ...

Brendan Fernandes: Safely (2017)

Brendan Fernandes: Safely (2017)

As part of his commission for "Sanctuary," Brendan Fernandes presented a site-specific durational performance that explored themes of reverence and sacred ...

Panel Discussion: Approaching the Rug as a Critical Form

Panel Discussion: Approaching the Rug as a Critical Form

Panel Discussion "Above the Rug: Approaching the Rug as a Critical Form" February 11, 2018 Historically and traditionally, rugs are a medium for cultural ...

Sanctuary

Sanctuary



Sanctuary Salon (January 26, 2018)

Sanctuary Salon (January 26, 2018)

Echoing the ethos of plurality embodied within FOR-SITE's exhibition "Sanctuary," the "Sanctuary Salon" series weaves together the voices of artists whose ...

Sanctuary Salon (December 14, 2017)

Sanctuary Salon (December 14, 2017)

Echoing the ethos of plurality embodied within FOR-SITE's exhibition "Sanctuary," the "Sanctuary Salon" series weaves together the voices of artists whose ...

Twitter

  • It's a full house (er, Chapel) tonight for FOR-SITE's first #Sanctuary Salon https://t.co/ABOANPBfeV
  • Happening now: Free #silkscreening workshops with #SanctuaryPrintShop outside #Sanctuary @FortMasoninSF Chapel https://t.co/4BGs628mct

Instagram

  • FOR-SITE visited “Joan Jonas: They Come to Us without a Word” at @fortmasoncenter today and were struck by the installation “Nine Trees.” The work was originally made for the courtyard of the U.S. Pavilion in Venice, and consisted of trunks harvested from Certosa Island, a former military site in the Venetian Lagoon. Fittingly, the piece at Fort Mason incorporates eucalyptus trees from @presidiosf (also a former military site). As with the rest of “They Come to Us without a Word,” the piece speaks to the human impact on nature and existing ecosystems. The Presidio eucalyptus used in the work is a non-native species that was planted by the U.S. Army in the 1880’s, and fundamentally changed the landscape from windswept sand to the existing park forest. __ Joan Jonas: They Come to Us without a Word” is on view in Gallery 308 @fortmasoncenter Wed. - Sat. Noon to 8pm and Sun. 11am to 5pm through March 10. Admission is free, but reserving tickets in advance via the Fort Mason website is strongly encouraged. __ #ArtAboutPlace #PublicArt #ArtAtTheFort
  • A burst of sun amidst the storm had us running outside to take in the moment of reprieve. And there it was — a lovely rainbow 🌈 Having an office at @fortmasoncenter definitely has its #WorkPerks.
  • Didn’t snag an RSVP to @cheryllhaines’ sold-out talk February 6? Don’t worry — a video of the event will be posted to the @thachergalleryusf’s YouTube channel a week or so later. We’ll be sure to direct you there once it’s available! __ Bonus: February 6 is also the Community Town Hall hosted by San Francisco Arts Commission and Grants for the Arts where they will share the proposed plan for implementing the new Arts Impact Endowment Fund and father feedback from the public. Make your thoughts known! The event is free, but registration is required. Link in bio. 📷: Jan Stürmann #ArtAboutPlace
  • Peruse catalogues, check out art, or just have a chat — we’re at @untitledartfair today until 8pm and Saturday and Sunday from noon until 6pm.

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Field Notes

  • Allison Stone talks Art in the Presidio

  • Art in the Parks and “Home Land Security”: A Partner’s Perspective

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