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Fiesta Queens (installation view)
International Orange

Anandamayi Arnold

Fiesta Queens

Anandamayi Arnold celebrated the bridge’s 75th anniversary with a nod to the Golden Gate Bridge Fiesta that marked the bridge’s opening in 1937. The artist fashioned seven vibrant crepe paper costumes in the style of the “Fiesta Queens” who presided over the opening festivities. Six of the dresses represent the six counties that supported the building of the bridge; the seventh pays tribute to the bridge itself.

  • Video: Anandamayi Arnold
  • Anandamayi Arnold, Fiesta Queens, 2012 (installation view); photo: Ben Blackwell
    Anandamayi Arnold, Fiesta Queens, 2012 (installation view); photo: Ben Blackwell
    Anandamayi Arnold, Fiesta Queens, 2012 (installation view); photo: Ben Blackwell
    Anandamayi Arnold, Fiesta Queens, 2012 (detail); photo: Ben Blackwell
    Anandamayi Arnold, Fiesta Queens, 2012 (detail); photo: Ben Blackwell
    Anandamayi Arnold, Fiesta Queens, 2012 (installation view); photo: Ben Blackwell
    Anandamayi Arnold, Fiesta Queens, 2012 (detail); photo: Ben Blackwell
    Anandamayi Arnold, Fiesta Queens, 2012 (detail); photo: Ben Blackwell
    Anandamayi Arnold, Fiesta Queens, 2012 (installation view); photo: Ben Blackwell
    Anandamayi Arnold, Fiesta Queens, 2012 (installation view); photo: Ben Blackwell
    Anandamayi Arnold, Fiesta Queens, 2012 (installation view); photo: Ben Blackwell
    Anandamayi Arnold, Fiesta Queens, 2012 (installation view); photo: Ben Blackwell
    Anandamayi Arnold, Fiesta Queens, 2012 (installation view); photo: Ben Blackwell
    Installation Views
Anandamayi Arnold
Anandamayi ArnoldAmerican, born 1975

Born in San Francisco and based in Berkeley, California, Anandamayi Arnold is regularly commissioned to create objects and costumes from crepe paper. She holds a BA from Brown University; her background and training include coursework in art history and costume history at Brown, painting and drawing classes at the Rhode Island School of Design, and traditional Japanese doll-making classes with San Francisco master Yuri Nakamura.

Top: Anandamayi Arnold, Fiesta Queens, 2012 (installation view); photo: Ben Blackwell

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    • International Orange
      • Anandamayi Arnold
      • Mark Dion and Dana Sherwood
      • Bill Fontana
      • Andy Freeberg
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    • Richard Long: The Path Is the Place Is the Line
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Field Notes

  • International Orange Selected as a Finalist in Americans for the Arts’ Year in Review

  • Congratulations to KQED for Their Coverage of International Orange!

  • Complimentary One-Day artMRKT Passes Courtesy of FOR-SITE!

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Sanctuary Salon (February 23, 2018)

Sanctuary Salon (February 23, 2018)

Echoing Sanctuary's ethos of plurality, the "Sanctuary Salon" series weaves together the voices of artists whose practices span creative disciplines, including ...

Brendan Fernandes: Safely (2017)

Brendan Fernandes: Safely (2017)

As part of his commission for "Sanctuary," Brendan Fernandes presented a site-specific durational performance that explored themes of reverence and sacred ...

Panel Discussion: Approaching the Rug as a Critical Form

Panel Discussion: Approaching the Rug as a Critical Form

Panel Discussion "Above the Rug: Approaching the Rug as a Critical Form" February 11, 2018 Historically and traditionally, rugs are a medium for cultural ...

Sanctuary

Sanctuary



Sanctuary Salon (January 26, 2018)

Sanctuary Salon (January 26, 2018)

Echoing the ethos of plurality embodied within FOR-SITE's exhibition "Sanctuary," the "Sanctuary Salon" series weaves together the voices of artists whose ...

Sanctuary Salon (December 14, 2017)

Sanctuary Salon (December 14, 2017)

Echoing the ethos of plurality embodied within FOR-SITE's exhibition "Sanctuary," the "Sanctuary Salon" series weaves together the voices of artists whose ...

Twitter

  • It's a full house (er, Chapel) tonight for FOR-SITE's first #Sanctuary Salon https://t.co/ABOANPBfeV
  • Happening now: Free #silkscreening workshops with #SanctuaryPrintShop outside #Sanctuary @FortMasoninSF Chapel https://t.co/4BGs628mct

Instagram

  • This is just one of the 92,829 postcards sent from Alcatraz to prisoners of conscience all over the world for @aiww’s “Yours Truly” installation. A book chronicling “Yours Truly” — from Weiwei’s inspiration for the work to the lives of five of the postcard recipients — titled “Ai Weiwei: Yours Truly — Art, Human Rights, and the Power of Writing a Letter” is out now. It even includes four pre-addressed, tear-out postcards so that readers can participate as well. Follow the link in our profile to read an interview with the book’s editor, David Spalding, and learn more. #ArtAboutPlace
  • Calling all West Coast-ers, art world jet-setters, and Ai Weiwei enthusiasts! Mark your calendars for @aiww’s L.A. takeover later this month. Weiwei has three — yes, THREE — concurrent shows: “Ai Weiwei: Life Cycle” @marcianoartfoundation Sept. 28; @utaartistspace Oct. 4; and @jeffreydeitchgallery Sept. 29.
  • Sharing a post from @alexiawebster highlighting a portrait from her ongoing Street Studio series. We’re including the full caption of Alexia’s original post below — please take a moment to read it. #PublicArt provides an important platform for dialogue around difficult issues, and we applaud artists like Alexia for helping us to see and understand them, and doing so in a way that celebrates the beauty of our shared humanity. . . . . Nyaloki Mayor, 13, poses with flowers in a United Nations IDP camp in Juba, South Sudan. In May 2016, with the amazing support of the @theiwmf , I travelled to Juba, South Sudan. During the trip we visited an IDP camp of South Sudanese that had been displaced by on-going conflicts and we created a Street Studio in the camp as part of my long term project. The Street Studio sets up portrait studios on street corners and public spaces in areas of uncertainty, and offers free printed portraits to any one passing by. This series was recently defaced by vandals who drew swastikas and scratched out the faces of people of colour during a public exhibition with @festivalpilours Saint Gilles Croix de Vie in the South of France. I hope this won't be an opportunity for fear and racism to have another platform but rather highlight the need for public art and how important the debates it raises are.
  • “…having to work, to earn a certain image, feels right. If it comes too easy, it might be suspect.” . . . A little inspiration for your Thursday, courtesy of artist #AbelardoMorell. Check out the full video, created for FOR-SITE’s past exhibition “International Orange” by visiting FOR-SITE’s YouTube channel (link in bio). There you’ll find many other artist interviews and interesting tidbits from our projects and programs over the years. #ArtAboutPlace #TBT

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Field Notes

  • Allison Stone talks Art in the Presidio

  • Art in the Parks and “Home Land Security”: A Partner’s Perspective

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