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Past

@Large: Ai Weiwei on Alcatraz

September 27, 2014 – April 26, 2015 at Alcatraz Island

“The misconception of totalitarianism is that freedom can be imprisoned. This is not the case. When you constrain freedom, freedom will take flight and land on a windowsill.”
— Ai Weiwei

The Chinese artist Ai Weiwei is internationally renowned for work that defies the distinction between art and activism. In this exhibition of new works created specifically for Alcatraz, Ai responded to the island’s layered legacy as a 19th-century military fortress, a notorious federal penitentiary, a site of Native American heritage and protest, and now one of America’s most visited national parks. Revealing new perspectives on Alcatraz, the exhibition raised questions about freedom of expression and human rights that resonated far beyond this particular place.

Ai’s sculpture, sound, and mixed-media installations occupied four locations in the former prison: the New Industries Building; a group of cells in A Block; the Hospital; and the Dining Hall. With the exception of the Dining Hall, these areas were usually restricted to the public, but all were open throughout the run of the exhibition. @Large turned Alcatraz into a space for dialogue about how we define liberty and justice, individual rights and personal responsibility. In artworks that balanced political impact with aesthetic grace, the exhibition directly and imaginatively addressed the situation of people around the world who have been deprived of their freedom for speaking out about their beliefs — people like Ai himself.

A vocal critic of his nation’s government, Ai was secretly detained by Chinese authorities for 81 days in 2011, and only regained possession of his passport on July 22, 2015. As a result, the artist was unable to visit Alcatraz during the planning of this exhibition; he developed the artwork at his studio in Beijing, with the help of the FOR-SITE Foundation. Ai embraced the ironies of creating site-specific art for a place he couldn’t see, and of celebrating free expression while working under severe constraints. Conflict and struggle have only galvanized the artist’s commitment to art as an act of conscience. With this project, he aimed to expand our understanding of “the purpose of art, which is the fight for freedom.”

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Featured Works

  • Ai Weiwei, With Wind, 2014 (installation view, New Industries Building, Alcatraz)
    With Wind
  • Ai Weiwei, Trace, 2014 (installation detail, New Industries Building, Alcatraz)
    Trace
  • Ai Weiwei, Refraction, 2014 (installation view, New Industries Building, Alcatraz)
    Refraction
  • Ai Weiwei, Stay Tuned, 2014 (installation detail, A Block, Alcatraz)
    Stay Tuned
  • Entrance to the psychiatric observation rooms, Alcatraz Hospital
    Illumination
  • Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital)
    Blossom
  • Yours Truly postcards completed by visitors to @Large: Ai Weiwei on Alcatraz
    Yours Truly

Related Media

  • Video: Inside @Large
  • Ai Weiwei, With Wind, 2014 (installation detail, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, With Wind, 2014 (installation view, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, With Wind, 2014 (installation detail, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Trace, 2014 (installation detail, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Trace, 2014 (installation view, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Trace, 2014 (detail); photo: Jan Stürmann
    Ai Weiwei, Refraction, 2014 (installation view, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Refraction, 2014 (installation view, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Refraction, 2014 (installation detail, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Stay Tuned, 2014 (installation detail, A Block, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Stay Tuned, 2014 (installation detail, A Block, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital); photo: Jan Stürmann
    Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital); photo: Jan Stürmann
    Entrance to the psychiatric observation rooms in Alcatraz Hospital, site of Ai Weiwei’s sound installation Illumination, 2014; photo: Jan Stürmann
    Psychiatric observation room in Alcatraz Hospital, site of Ai Weiwei’s sound installation Illumination, 2014; photo: Jan Stürmann
    Ai Weiwei, Yours Truly, 2014 (installation view, Alcatraz Dining Hall); photo: Jan Stürmann
    Ai Weiwei, Yours Truly, 2014 (installation detail, Alcatraz Dining Hall); photo: Jan Stürmann
    Installation Views
  • Exhibition curator Cheryl Haines consults with Ai Weiwei at the artist's studio in Beijing, June 2014; photo: Jan Stürmann
    Ai Weiwei and curator Cheryl Haines meet at the artist's studio, with design studies for Trace laid out on the floor; photo: Jan Stürmann
    Curator Cheryl Haines and Ai Weiwei discuss preliminary designs for With Wind at the artist's studio in Beijing; photo: Jan Stürmann
    A model of Refraction at Ai Weiwei's studio in Beijing; photo: Jan Stürmann
    Porcelain flowers for Blossom in preparation at Ai Weiwei's studio in Beijing; photo: Jan Stürmann
    Designers assemble portraits for Trace at Ai Weiwei's studio in Beijing; photo: Jan Stürmann
    A volunteer assembles a portrait for Trace in San Francisco; photo: Nina Dietzel
    Installing Trace in the New Industries Building; photo: Nina Dietzel
    Installing Trace in the New Industries Building; photo: Nina Dietzel
    Unpacking the porcelain flowers for Blossom in the Hospital; photo: Nina Dietzel
    Installing Refraction in the New Industries Building; photo: Nina Dietzel
    Installing Refraction in the New Industries Building; photo: Nina Dietzel
    The head portion of With Wind suspended in a shipping container outside the New Industries Building; photo: Nina Dietzel
    Installing With Wind in the New Industries Building; photo: Nina Dietzel
    Curator Cheryl Haines consults with Stay Tuned sound designers in A Block; photo: Nina Dietzel
    Behind the Scenes
  • @Large on Google Cultural Institute
  • In the Press
Ai Weiwei
Ai WeiweiChinese, born 1957

Ai Weiwei is a Beijing-based artist and activist whose work encompasses sculpture, installation, photography, film, architecture, curation, and social criticism. His art has been featured in major solo exhibitions including Ai Weiwei at Blenheim Palace, Woodstock, UK, 2014; Evidence at the Martin-Gropius-Bau, Berlin, 2014; and Ai Weiwei: According to What?, which was organized by the Mori Art Museum, Tokyo, in 2009, and traveled to North American venues in 2013–14. Ai collaborated with architects Herzog & de Meuron on the “bird’s nest” stadium for the 2008 Beijing Olympics. He has been the recipient of numerous awards and honors, including Amnesty International’s Ambassador of Conscience Award in 2015.

Ai Weiwei Website

@Large: Ai Weiwei on Alcatraz was presented by the FOR-SITE Foundation in partnership with the National Park Service and the Golden Gate National Parks Conservancy.
@Large project partner logos

Support for the exhibition is provided by Roger Evans and Aey Phanachet, the Fisher family, and other generous donors.

FOR-SITE Foundation project team: Cheryl Haines, executive director and exhibition curator; Marnie Burke de Guzman, special projects director; Jackie von Treskow, program director; Alison Konecki, development and outreach associate; Miegan Riddle, development consultant; Jennifer Burke/Industry, visual design; Juliet Clark, writer and editor; Tyler Reed, content manager; Jan Stürmann, video production; Ari Salomon, web developer

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Field Notes

  • FOR-SITE Foundation to host “Ai Weiwei: LEGO Collection Point” at Fort Mason Center for Arts & Culture

  • Beyond Alcatraz: @Large One Year Later

  • Yours Truly postcards completed by visitors to @Large: Ai Weiwei on Alcatraz

    @Large: Attendance, Accolades, and Impact

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  • Continuing this week’s look through FOR-SITE’s past 15 years, today we’re visiting 2014 when we transformed Alcatraz Island with the monumental works of one of the greatest artists of our time, @aiww. Nearly 900,000 people experienced “@ Large: Ai Weiwei on Alcatraz,” and over 7,000 tickets were distributed to underserved schools and community groups. The exhibition became a watershed moment for FOR-SITE, guiding us toward an ethos of social engagement that continues to shape our projects and exhibitions. __ Partnerships have always been a cornerstone of FOR-SITE’s work. Indeed, “@ Large” was a tremendous undertaking for us, and we couldn’t have done it without the support and collaboration of our project partners @nationalparkservice and @Parks4All. The exhibition also relied heavily on volunteer support. @aiww’s iconic “Trace” installation was assembled largely through the work of volunteers — 82 in all! And finally, to make the exhibition truly come to life, we turned to a dedicated corps of Art Guides. If you visited the exhibition, chances are your experience of it was made all the richer by their insights and thoughtful engagement. __ Help FOR-SITE as we prepare for another 15 years of presenting boundary-pushing #ArtAboutPlace by making a donation today. Follow the link in our profile to make an online donation.
  • Today we’re heading all the way back to FOR-SITE’s origins up in Nevada City on our 50-acre residency site. The residency program ran from 2005 - 2009, and saw FOR-SITE collaborating with a range of institutional partners to select artists and present the work created during the residencies. Included here are images from @Corneliaparkerartist’s “Anti-Mass” exhibited at @ybca from her 2005 residency; Shi Guorui’s exhibition “Reproduction and Refashioning” at @deyoungmuseum created during his 2006 residency; and @markdionstudio’s “The Marvelous Museum” at @oaklandmuseumca that the artist developed as part of his 2009 residency. __ More information about these and other FOR-STIE residency projects is available via the link in our profile.
  • This week we’re hopscotching through FOR-SITE’s history to highlight some of our favorite moments of our past 15 years. Although we were founded in 2003, we’re kicking things off with a visit to 2008 and the installation of #AndyGoldsworthy’s “Spire” in @presidiosf. Beloved by the Bay Area community, “Spire,” became a hallmark of FOR-SITE’s work to highlight the unique history of our parklands. __ When “Spire” was first installed, the reforested trees around it were barely more than saplings. A decade later, almost half the height of “Spire”’s 90ft are obscured by the trees. Eventually, the whole of “Spire” will be hidden within a mature forest of trees — no longer a visible landmark on our landscape, but a beautiful monument of its history. __ If you’ve enjoyed FOR-SITE projects such as “Spire,” consider making a year-end donation to help support our future exhibitions. Follow the link in our profile to make an online donation. __ #ArtAboutPlace
  • 2018 marks FOR-SITE’s 15th anniversary! From our founding in 2003 hosting artist residencies in Nevada City to the large-scale public art exhibitions that followed, FOR-SITE has consistently pushed the boundaries of “art about place.” Help us celebrate and get us ready for the next 15 years by making a donation this #GivingTuesday. To make a gift online, visit the link in our profile. As a thank you for your support, we’d love for you to stop by our office and select a commemorative FOR-SITE item from our archives, including Ai Weiwei books and exhibition swag, “Sanctuary” socks and catalogues, and more. Lastly, don’t forget to stay tuned throughout the week for posts sharing some of our favorite moments from the past 15 years! #ArtAboutPlace

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Field Notes

  • Allison Stone talks Art in the Presidio

  • Art in the Parks and “Home Land Security”: A Partner’s Perspective

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