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Past

@Large: Ai Weiwei on Alcatraz

September 27, 2014 – April 26, 2015 at Alcatraz Island

“The misconception of totalitarianism is that freedom can be imprisoned. This is not the case. When you constrain freedom, freedom will take flight and land on a windowsill.”
— Ai Weiwei

The Chinese artist Ai Weiwei is internationally renowned for work that defies the distinction between art and activism. In this exhibition of new works created specifically for Alcatraz, Ai responded to the island’s layered legacy as a 19th-century military fortress, a notorious federal penitentiary, a site of Native American heritage and protest, and now one of America’s most visited national parks. Revealing new perspectives on Alcatraz, the exhibition raised questions about freedom of expression and human rights that resonated far beyond this particular place.

Ai’s sculpture, sound, and mixed-media installations occupied four locations in the former prison: the New Industries Building; a group of cells in A Block; the Hospital; and the Dining Hall. With the exception of the Dining Hall, these areas were usually restricted to the public, but all were open throughout the run of the exhibition. @Large turned Alcatraz into a space for dialogue about how we define liberty and justice, individual rights and personal responsibility. In artworks that balanced political impact with aesthetic grace, the exhibition directly and imaginatively addressed the situation of people around the world who have been deprived of their freedom for speaking out about their beliefs — people like Ai himself.

A vocal critic of his nation’s government, Ai was secretly detained by Chinese authorities for 81 days in 2011, and only regained possession of his passport on July 22, 2015. As a result, the artist was unable to visit Alcatraz during the planning of this exhibition; he developed the artwork at his studio in Beijing, with the help of the FOR-SITE Foundation. Ai embraced the ironies of creating site-specific art for a place he couldn’t see, and of celebrating free expression while working under severe constraints. Conflict and struggle have only galvanized the artist’s commitment to art as an act of conscience. With this project, he aimed to expand our understanding of “the purpose of art, which is the fight for freedom.”

The project is featured in the FOR-SITE debut feature-length documentary, Ai Weiwei: Yours Truly.

More

Featured Works

  • Ai Weiwei, With Wind, 2014 (installation view, New Industries Building, Alcatraz)
    With Wind
  • Ai Weiwei, Trace, 2014 (installation detail, New Industries Building, Alcatraz)
    Trace
  • Ai Weiwei, Refraction, 2014 (installation view, New Industries Building, Alcatraz)
    Refraction
  • Ai Weiwei, Stay Tuned, 2014 (installation detail, A Block, Alcatraz)
    Stay Tuned
  • Entrance to the psychiatric observation rooms, Alcatraz Hospital
    Illumination
  • Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital)
    Blossom
  • Yours Truly postcards completed by visitors to @Large: Ai Weiwei on Alcatraz
    Yours Truly

Related Media

  • Video: Inside @Large
  • Ai Weiwei, With Wind, 2014 (installation detail, New Industries Building, Alcatraz); photo: Jan StĂĽrmann
    Ai Weiwei, With Wind, 2014 (installation view, New Industries Building, Alcatraz); photo: Jan StĂĽrmann
    Ai Weiwei, With Wind, 2014 (installation detail, New Industries Building, Alcatraz); photo: Jan StĂĽrmann
    Ai Weiwei, Trace, 2014 (installation detail, New Industries Building, Alcatraz); photo: Jan StĂĽrmann
    Ai Weiwei, Trace, 2014 (installation view, New Industries Building, Alcatraz); photo: Jan StĂĽrmann
    Ai Weiwei, Trace, 2014 (detail); photo: Jan StĂĽrmann
    Ai Weiwei, Refraction, 2014 (installation view, New Industries Building, Alcatraz); photo: Jan StĂĽrmann
    Ai Weiwei, Refraction, 2014 (installation view, New Industries Building, Alcatraz); photo: Jan StĂĽrmann
    Ai Weiwei, Refraction, 2014 (installation detail, New Industries Building, Alcatraz); photo: Jan StĂĽrmann
    Ai Weiwei, Stay Tuned, 2014 (installation detail, A Block, Alcatraz); photo: Jan StĂĽrmann
    Ai Weiwei, Stay Tuned, 2014 (installation detail, A Block, Alcatraz); photo: Jan StĂĽrmann
    Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital); photo: Jan StĂĽrmann
    Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital); photo: Jan StĂĽrmann
    Entrance to the psychiatric observation rooms in Alcatraz Hospital, site of Ai Weiwei’s sound installation Illumination, 2014; photo: Jan Stürmann
    Psychiatric observation room in Alcatraz Hospital, site of Ai Weiwei’s sound installation Illumination, 2014; photo: Jan Stürmann
    Ai Weiwei, Yours Truly, 2014 (installation view, Alcatraz Dining Hall); photo: Jan StĂĽrmann
    Ai Weiwei, Yours Truly, 2014 (installation detail, Alcatraz Dining Hall); photo: Jan StĂĽrmann
    Installation Views
  • Exhibition curator Cheryl Haines consults with Ai Weiwei at the artist's studio in Beijing, June 2014; photo: Jan StĂĽrmann
    Ai Weiwei and curator Cheryl Haines meet at the artist's studio, with design studies for Trace laid out on the floor; photo: Jan StĂĽrmann
    Curator Cheryl Haines and Ai Weiwei discuss preliminary designs for With Wind at the artist's studio in Beijing; photo: Jan StĂĽrmann
    A model of Refraction at Ai Weiwei's studio in Beijing; photo: Jan StĂĽrmann
    Porcelain flowers for Blossom in preparation at Ai Weiwei's studio in Beijing; photo: Jan StĂĽrmann
    Designers assemble portraits for Trace at Ai Weiwei's studio in Beijing; photo: Jan StĂĽrmann
    A volunteer assembles a portrait for Trace in San Francisco; photo: Nina Dietzel
    Installing Trace in the New Industries Building; photo: Nina Dietzel
    Installing Trace in the New Industries Building; photo: Nina Dietzel
    Unpacking the porcelain flowers for Blossom in the Hospital; photo: Nina Dietzel
    Installing Refraction in the New Industries Building; photo: Nina Dietzel
    Installing Refraction in the New Industries Building; photo: Nina Dietzel
    The head portion of With Wind suspended in a shipping container outside the New Industries Building; photo: Nina Dietzel
    Installing With Wind in the New Industries Building; photo: Nina Dietzel
    Curator Cheryl Haines consults with Stay Tuned sound designers in A Block; photo: Nina Dietzel
    Behind the Scenes
  • @Large on Google Cultural Institute
  • In the Press
Ai Weiwei
Ai WeiweiChinese, born 1957

Ai Weiwei is a Beijing-based artist and activist whose work encompasses sculpture, installation, photography, film, architecture, curation, and social criticism. His art has been featured in major solo exhibitions including Ai Weiwei at Blenheim Palace, Woodstock, UK, 2014; Evidence at the Martin-Gropius-Bau, Berlin, 2014; and Ai Weiwei: According to What?, which was organized by the Mori Art Museum, Tokyo, in 2009, and traveled to North American venues in 2013–14. Ai collaborated with architects Herzog & de Meuron on the “bird’s nest” stadium for the 2008 Beijing Olympics. He has been the recipient of numerous awards and honors, including Amnesty International’s Ambassador of Conscience Award in 2015.

Ai Weiwei Website

@Large: Ai Weiwei on Alcatraz was presented by the FOR-SITE Foundation in partnership with the National Park Service and the Golden Gate National Parks Conservancy.
@Large project partner logos

Support for the exhibition is provided by Roger Evans and Aey Phanachet, the Fisher family, and other generous donors.

FOR-SITE Foundation project team: Cheryl Haines, executive director and exhibition curator; Marnie Burke de Guzman, special projects director; Jackie von Treskow, program director; Alison Konecki, development and outreach associate; Miegan Riddle, development consultant; Jennifer Burke/Industry, visual design; Juliet Clark, writer and editor; Tyler Reed, content manager; Jan StĂĽrmann, video production; Ari Salomon, web developer

Projects

  • Overview
  • On View
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    • Lands End
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    • @Large: Ai Weiwei on Alcatraz
      • With Wind
      • Trace
      • Refraction
      • Stay Tuned
      • Illumination
      • Blossom
      • Yours Truly
    • Art About Place: FOR-SITE Foundation at the Presidio
    • International Orange
    • Presidio Habitats
    • The Marvelous Museum: A Mark Dion Project
    • Pae White: In Between the Outside-In
    • Chris Drury: Mushrooms | Clouds
    • Shi Guorui: Reproduction and Refashioning
    • Richard Long: The Path Is the Place Is the Line
    • New Work by Cornelia Parker
  • Plan Your Visit
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Field Notes

  • Ai Weiwei Yours Truly Facebook Banner

    “Ai Weiwei: Yours Truly” Virtual Cinema Release

  • Alfredo Jaar

    Black Lives Matter

  • AWW_HRW

    Ai Weiwei + Human Rights Watch

Artist Editions

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  • #LandsEnd featured artist Andrea Chung’s video Come Back to Jamaica (2009), & Come Back to Yourself (2013), will be… https://t.co/HXwouRNnBa
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Instagram

HAPPENING TOMORROW: We are thrilled to announce that @yourstrulydoc is part of this years @albany_filmfest! Join us on October 5th at the Albany Twin Theater for the film screening, followed by a Q&A with  @cheryllhaines. 🎟️ Tickets available at the link in bio. 

Following Ai Weiwei’s detention at the hands of the Chinese authorities, the outspoken artist and activist transformed the former island penitentiary of Alcatraz into an artistic platform. The resulting exhibition engaged over 900,000 visitors in a conversation about the plight of prisoners of conscience around the world. One of the eight new artworks depicted the faces and names of 176 individuals who were incarcerated or exiled due to their beliefs, affiliations, and nonviolent expressions of dissent. The work’s companion piece, “Yours Truly,” invited visitors to compose messages of hope to some of these prisoners. By the time the exhibition ended, over 90,000 postcards had been sent. Then something even more astonishing began to happen: prisoners and their families began writing back.
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HAPPENING TOMORROW: We are thrilled to announce that @yourstrulydoc is part of this years @albany_filmfest! Join us on October 5th at the Albany Twin Theater for the film screening, followed by a Q&A with @cheryllhaines. 🎟️ Tickets available at the link in bio. Following Ai Weiwei’s detention at the hands of the Chinese authorities, the outspoken artist and activist transformed the former island penitentiary of Alcatraz into an artistic platform. The resulting exhibition engaged over 900,000 visitors in a conversation about the plight of prisoners of conscience around the world. One of the eight new artworks depicted the faces and names of 176 individuals who were incarcerated or exiled due to their beliefs, affiliations, and nonviolent expressions of dissent. The work’s companion piece, “Yours Truly,” invited visitors to compose messages of hope to some of these prisoners. By the time the exhibition ended, over 90,000 postcards had been sent. Then something even more astonishing began to happen: prisoners and their families began writing back.
22 hours ago
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FOR-SITE is seeking a part-time Marketing/Communications Manager who will play a pivotal role in supporting FOR-SITE with marketing, communications and community outreach. The Marketing/Communications Manager initiates, develops, and implements FOR-SITE’s communication plan seeking input from the team and utilizing all marketing tools available to the organization. The Marketing/Communications Manager implements community outreach strategies to grow FOR-SITE exhibition and program audiences and to engage volunteers and supporters. Learn more and how to apply at the link in bio
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FOR-SITE is seeking a part-time Marketing/Communications Manager who will play a pivotal role in supporting FOR-SITE with marketing, communications and community outreach. The Marketing/Communications Manager initiates, develops, and implements FOR-SITE’s communication plan seeking input from the team and utilizing all marketing tools available to the organization. The Marketing/Communications Manager implements community outreach strategies to grow FOR-SITE exhibition and program audiences and to engage volunteers and supporters. Learn more and how to apply at the link in bio
2 days ago
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2/9
KIJA LUCAS, "A Taxonomy of Belonging", opens today, September 17. The solo exhibition by the Bay Area-based artist brings together a selection of work from Lucas’ nine-year project "In Search of Home", a series that explores the emigration patterns of her family using photographs of plant clippings, rocks, and other objects.
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KIJA LUCAS, "A Taxonomy of Belonging", opens today, September 17. The solo exhibition by the Bay Area-based artist brings together a selection of work from Lucas’ nine-year project "In Search of Home", a series that explores the emigration patterns of her family using photographs of plant clippings, rocks, and other objects.
4 days ago
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3/9
Ai Weiwei (@aiww) shares the impact of his father’s imprisonment and the inspiration behind his postcard campaign for prisoners of conscience. 

We are so excited to share @yourstrulydoc next week at @albany_filmfest! Tickets available at the link in bio.
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Ai Weiwei (@aiww) shares the impact of his father’s imprisonment and the inspiration behind his postcard campaign for prisoners of conscience. We are so excited to share @yourstrulydoc next week at @albany_filmfest! Tickets available at the link in bio.
1 week ago
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4/9
Ai Weiwei: Yours Truly, a documentary film based on the eponymous art installation that was part of @for_site’s 2014-15 exhibition @ Large: Ai Weiwei on Alcatraz. Like the artwork, the film aims to inspire viewers to take action in the struggle for human rights at home and abroad.

@yourstrulydoc is part of this years @albany_filmfest! Join us on October 5th at the Albany Twin Theater for the film screening, followed by a Q&A with  @cheryllhaines. 🎟️ Tickets available at the link in bio.
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Ai Weiwei: Yours Truly, a documentary film based on the eponymous art installation that was part of @for_site’s 2014-15 exhibition @ Large: Ai Weiwei on Alcatraz. Like the artwork, the film aims to inspire viewers to take action in the struggle for human rights at home and abroad. @yourstrulydoc is part of this years @albany_filmfest! Join us on October 5th at the Albany Twin Theater for the film screening, followed by a Q&A with @cheryllhaines. 🎟️ Tickets available at the link in bio.
1 week ago
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5/9
We are thrilled to announce that @yourstrulydoc is part of this years @albany_filmfest! Join us on October 5th at the Albany Twin Theater for the film screening, followed by a Q&A with  @cheryllhaines. 🎟️ Tickets available at the link in bio. 

Following Ai Weiwei’s detention at the hands of the Chinese authorities, the outspoken artist and activist transformed the former island penitentiary of Alcatraz into an artistic platform. The resulting exhibition engaged over 900,000 visitors in a conversation about the plight of prisoners of conscience around the world. One of the eight new artworks depicted the faces and names of 176 individuals who were incarcerated or exiled due to their beliefs, affiliations, and nonviolent expressions of dissent. The work’s companion piece, “Yours Truly,” invited visitors to compose messages of hope to some of these prisoners. By the time the exhibition ended, over 90,000 postcards had been sent. Then something even more astonishing began to happen: prisoners and their families began writing back.
for_site
for_site
•
Follow
We are thrilled to announce that @yourstrulydoc is part of this years @albany_filmfest! Join us on October 5th at the Albany Twin Theater for the film screening, followed by a Q&A with @cheryllhaines. 🎟️ Tickets available at the link in bio. Following Ai Weiwei’s detention at the hands of the Chinese authorities, the outspoken artist and activist transformed the former island penitentiary of Alcatraz into an artistic platform. The resulting exhibition engaged over 900,000 visitors in a conversation about the plight of prisoners of conscience around the world. One of the eight new artworks depicted the faces and names of 176 individuals who were incarcerated or exiled due to their beliefs, affiliations, and nonviolent expressions of dissent. The work’s companion piece, “Yours Truly,” invited visitors to compose messages of hope to some of these prisoners. By the time the exhibition ended, over 90,000 postcards had been sent. Then something even more astonishing began to happen: prisoners and their families began writing back.
2 weeks ago
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@shahpour_pouyan’s art questions whether military strength or cultural achievement marks the high points of history. His Projectiles are metal sculptures suspended in space that merge forms reminiscent of missiles and drones with those of antique Iranian helmets and chain mail. Pouyan was born during the Islamic Revolution, the son of a military engineer, and his childhood was consumed by the eight years of the Iran-Iraq War; his art, however, draws as much from the refined cultural heritage of his homeland as from its war-torn past. He works with artisanal metalsmiths, who fabricate traditional armor still used for costumes in the Shiite passion plays and religious rituals that are closely linked to Iranian nationalism. The ornamental floral patterns, birds, and calligraphy etched into the metal and inlaid with brass and gold bring a surface elegance and lightness to these symbols of dominance and militaristic power.

Shahpour Pouyan’s Five works from the Projectiles series was featured in #FORSITE’s 2018 exhibition Home Land Security. 

Photos by @robertdiversherrick
@shahpour_pouyan’s art questions whether military strength or cultural achievement marks the high points of history. His Projectiles are metal sculptures suspended in space that merge forms reminiscent of missiles and drones with those of antique Iranian helmets and chain mail. Pouyan was born during the Islamic Revolution, the son of a military engineer, and his childhood was consumed by the eight years of the Iran-Iraq War; his art, however, draws as much from the refined cultural heritage of his homeland as from its war-torn past. He works with artisanal metalsmiths, who fabricate traditional armor still used for costumes in the Shiite passion plays and religious rituals that are closely linked to Iranian nationalism. The ornamental floral patterns, birds, and calligraphy etched into the metal and inlaid with brass and gold bring a surface elegance and lightness to these symbols of dominance and militaristic power.

Shahpour Pouyan’s Five works from the Projectiles series was featured in #FORSITE’s 2018 exhibition Home Land Security. 

Photos by @robertdiversherrick
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@shahpour_pouyan’s art questions whether military strength or cultural achievement marks the high points of history. His Projectiles are metal sculptures suspended in space that merge forms reminiscent of missiles and drones with those of antique Iranian helmets and chain mail. Pouyan was born during the Islamic Revolution, the son of a military engineer, and his childhood was consumed by the eight years of the Iran-Iraq War; his art, however, draws as much from the refined cultural heritage of his homeland as from its war-torn past. He works with artisanal metalsmiths, who fabricate traditional armor still used for costumes in the Shiite passion plays and religious rituals that are closely linked to Iranian nationalism. The ornamental floral patterns, birds, and calligraphy etched into the metal and inlaid with brass and gold bring a surface elegance and lightness to these symbols of dominance and militaristic power. Shahpour Pouyan’s Five works from the Projectiles series was featured in #FORSITE’s 2018 exhibition Home Land Security. Photos by @robertdiversherrick
2 weeks ago
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7/9
Yin Xiuzhen often uses secondhand clothing to explore how memory invested in the material presents a counterforce to the anonymity and homogenization of globalized culture. “I see clothing as a second skin,” she explains. “Once it’s been worn, it bears the traces of the wearer’s experiences.” In this installation, a barrage of weapons suspended in flight reveals itself on closer inspection to be an assortment of obscure objects made from secondhand clothes, worn fabric, and crocheted scraps. They are spindles of personal stories on a trajectory of escape, tracing individual journeys. Together they form an umbrella of collective experience that also encompasses the viewers who approach the battery. Their softness and inherent intimacy contrast with their designation as instruments of violence, and with the cold, hard surfaces of the surrounding military environment. 

Yin Xiuzhen installation “Weapon” was featured in #FORSITE’s 2018 exhibition Home Land Security

Photos by @robertdiversherrick
Yin Xiuzhen often uses secondhand clothing to explore how memory invested in the material presents a counterforce to the anonymity and homogenization of globalized culture. “I see clothing as a second skin,” she explains. “Once it’s been worn, it bears the traces of the wearer’s experiences.” In this installation, a barrage of weapons suspended in flight reveals itself on closer inspection to be an assortment of obscure objects made from secondhand clothes, worn fabric, and crocheted scraps. They are spindles of personal stories on a trajectory of escape, tracing individual journeys. Together they form an umbrella of collective experience that also encompasses the viewers who approach the battery. Their softness and inherent intimacy contrast with their designation as instruments of violence, and with the cold, hard surfaces of the surrounding military environment. 

Yin Xiuzhen installation “Weapon” was featured in #FORSITE’s 2018 exhibition Home Land Security

Photos by @robertdiversherrick
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Yin Xiuzhen often uses secondhand clothing to explore how memory invested in the material presents a counterforce to the anonymity and homogenization of globalized culture. “I see clothing as a second skin,” she explains. “Once it’s been worn, it bears the traces of the wearer’s experiences.” In this installation, a barrage of weapons suspended in flight reveals itself on closer inspection to be an assortment of obscure objects made from secondhand clothes, worn fabric, and crocheted scraps. They are spindles of personal stories on a trajectory of escape, tracing individual journeys. Together they form an umbrella of collective experience that also encompasses the viewers who approach the battery. Their softness and inherent intimacy contrast with their designation as instruments of violence, and with the cold, hard surfaces of the surrounding military environment. Yin Xiuzhen installation “Weapon” was featured in #FORSITE’s 2018 exhibition Home Land Security Photos by @robertdiversherrick
3 weeks ago
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8/9
Congratulations to @aiww, who was awarded the 2022 Praemium Imperiale.
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Congratulations to @aiww, who was awarded the 2022 Praemium Imperiale.
3 weeks ago
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