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Past

@Large: Ai Weiwei on Alcatraz

September 27, 2014 – April 26, 2015 at Alcatraz Island

“The misconception of totalitarianism is that freedom can be imprisoned. This is not the case. When you constrain freedom, freedom will take flight and land on a windowsill.”
— Ai Weiwei

The Chinese artist Ai Weiwei is internationally renowned for work that defies the distinction between art and activism. In this exhibition of new works created specifically for Alcatraz, Ai responded to the island’s layered legacy as a 19th-century military fortress, a notorious federal penitentiary, a site of Native American heritage and protest, and now one of America’s most visited national parks. Revealing new perspectives on Alcatraz, the exhibition raised questions about freedom of expression and human rights that resonated far beyond this particular place.

Ai’s sculpture, sound, and mixed-media installations occupied four locations in the former prison: the New Industries Building; a group of cells in A Block; the Hospital; and the Dining Hall. With the exception of the Dining Hall, these areas were usually restricted to the public, but all were open throughout the run of the exhibition. @Large turned Alcatraz into a space for dialogue about how we define liberty and justice, individual rights and personal responsibility. In artworks that balanced political impact with aesthetic grace, the exhibition directly and imaginatively addressed the situation of people around the world who have been deprived of their freedom for speaking out about their beliefs — people like Ai himself.

A vocal critic of his nation’s government, Ai was secretly detained by Chinese authorities for 81 days in 2011, and only regained possession of his passport on July 22, 2015. As a result, the artist was unable to visit Alcatraz during the planning of this exhibition; he developed the artwork at his studio in Beijing, with the help of the FOR-SITE Foundation. Ai embraced the ironies of creating site-specific art for a place he couldn’t see, and of celebrating free expression while working under severe constraints. Conflict and struggle have only galvanized the artist’s commitment to art as an act of conscience. With this project, he aimed to expand our understanding of “the purpose of art, which is the fight for freedom.”

More

Featured Works

  • Ai Weiwei, With Wind, 2014 (installation view, New Industries Building, Alcatraz)
    With Wind
  • Ai Weiwei, Trace, 2014 (installation detail, New Industries Building, Alcatraz)
    Trace
  • Ai Weiwei, Refraction, 2014 (installation view, New Industries Building, Alcatraz)
    Refraction
  • Ai Weiwei, Stay Tuned, 2014 (installation detail, A Block, Alcatraz)
    Stay Tuned
  • Entrance to the psychiatric observation rooms, Alcatraz Hospital
    Illumination
  • Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital)
    Blossom
  • Yours Truly postcards completed by visitors to @Large: Ai Weiwei on Alcatraz
    Yours Truly

Related Media

  • Video: Inside @Large
  • Ai Weiwei, With Wind, 2014 (installation detail, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, With Wind, 2014 (installation view, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, With Wind, 2014 (installation detail, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Trace, 2014 (installation detail, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Trace, 2014 (installation view, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Trace, 2014 (detail); photo: Jan Stürmann
    Ai Weiwei, Refraction, 2014 (installation view, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Refraction, 2014 (installation view, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Refraction, 2014 (installation detail, New Industries Building, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Stay Tuned, 2014 (installation detail, A Block, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Stay Tuned, 2014 (installation detail, A Block, Alcatraz); photo: Jan Stürmann
    Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital); photo: Jan Stürmann
    Ai Weiwei, Blossom, 2014 (installation detail, Alcatraz Hospital); photo: Jan Stürmann
    Entrance to the psychiatric observation rooms in Alcatraz Hospital, site of Ai Weiwei’s sound installation Illumination, 2014; photo: Jan Stürmann
    Psychiatric observation room in Alcatraz Hospital, site of Ai Weiwei’s sound installation Illumination, 2014; photo: Jan Stürmann
    Ai Weiwei, Yours Truly, 2014 (installation view, Alcatraz Dining Hall); photo: Jan Stürmann
    Ai Weiwei, Yours Truly, 2014 (installation detail, Alcatraz Dining Hall); photo: Jan Stürmann
    Installation Views
  • Exhibition curator Cheryl Haines consults with Ai Weiwei at the artist's studio in Beijing, June 2014; photo: Jan Stürmann
    Ai Weiwei and curator Cheryl Haines meet at the artist's studio, with design studies for Trace laid out on the floor; photo: Jan Stürmann
    Curator Cheryl Haines and Ai Weiwei discuss preliminary designs for With Wind at the artist's studio in Beijing; photo: Jan Stürmann
    A model of Refraction at Ai Weiwei's studio in Beijing; photo: Jan Stürmann
    Porcelain flowers for Blossom in preparation at Ai Weiwei's studio in Beijing; photo: Jan Stürmann
    Designers assemble portraits for Trace at Ai Weiwei's studio in Beijing; photo: Jan Stürmann
    A volunteer assembles a portrait for Trace in San Francisco; photo: Nina Dietzel
    Installing Trace in the New Industries Building; photo: Nina Dietzel
    Installing Trace in the New Industries Building; photo: Nina Dietzel
    Unpacking the porcelain flowers for Blossom in the Hospital; photo: Nina Dietzel
    Installing Refraction in the New Industries Building; photo: Nina Dietzel
    Installing Refraction in the New Industries Building; photo: Nina Dietzel
    The head portion of With Wind suspended in a shipping container outside the New Industries Building; photo: Nina Dietzel
    Installing With Wind in the New Industries Building; photo: Nina Dietzel
    Curator Cheryl Haines consults with Stay Tuned sound designers in A Block; photo: Nina Dietzel
    Behind the Scenes
  • @Large on Google Cultural Institute
  • In the Press
Ai Weiwei
Ai WeiweiChinese, born 1957

Ai Weiwei is a Beijing-based artist and activist whose work encompasses sculpture, installation, photography, film, architecture, curation, and social criticism. His art has been featured in major solo exhibitions including Ai Weiwei at Blenheim Palace, Woodstock, UK, 2014; Evidence at the Martin-Gropius-Bau, Berlin, 2014; and Ai Weiwei: According to What?, which was organized by the Mori Art Museum, Tokyo, in 2009, and traveled to North American venues in 2013–14. Ai collaborated with architects Herzog & de Meuron on the “bird’s nest” stadium for the 2008 Beijing Olympics. He has been the recipient of numerous awards and honors, including Amnesty International’s Ambassador of Conscience Award in 2015.

Ai Weiwei Website

@Large: Ai Weiwei on Alcatraz was presented by the FOR-SITE Foundation in partnership with the National Park Service and the Golden Gate National Parks Conservancy.
@Large project partner logos

Support for the exhibition is provided by Roger Evans and Aey Phanachet, the Fisher family, and other generous donors.

FOR-SITE Foundation project team: Cheryl Haines, executive director and exhibition curator; Marnie Burke de Guzman, special projects director; Jackie von Treskow, program director; Alison Konecki, development and outreach associate; Miegan Riddle, development consultant; Jennifer Burke/Industry, visual design; Juliet Clark, writer and editor; Tyler Reed, content manager; Jan Stürmann, video production; Ari Salomon, web developer

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    • @Large: Ai Weiwei on Alcatraz
      • With Wind
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      • Illumination
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    • Art About Place: FOR-SITE Foundation at the Presidio
    • International Orange
    • Presidio Habitats
    • The Marvelous Museum: A Mark Dion Project
    • Pae White: In Between the Outside-In
    • Chris Drury: Mushrooms | Clouds
    • Shi Guorui: Reproduction and Refashioning
    • Richard Long: The Path Is the Place Is the Line
    • New Work by Cornelia Parker
  • Plan a Visit
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Field Notes

  • FOR-SITE Foundation to host “Ai Weiwei: LEGO Collection Point” at Fort Mason Center for Arts & Culture

  • Beyond Alcatraz: @Large One Year Later

  • Yours Truly postcards completed by visitors to @Large: Ai Weiwei on Alcatraz

    @Large: Attendance, Accolades, and Impact

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Introducing Home land Security (abbreviated version)

Introducing Home land Security (abbreviated version)

September 10 through December 18 at Fort Winfield Scott. Learn more at: http://www.for-site.org/project/home-land-security/

Introducing Home Land Security

Introducing Home Land Security

September 10 – December 18, 2016 at Fort Winfield Scott Learn more at: http://www.for-site.org/project/home-land-security/

FOR-SITE Foundation Year-End Appeal 2015

FOR-SITE Foundation Year-End Appeal 2015

FOR-SITE Foundation executive director Cheryl Haines discusses the organization's history and hints at what's to come. Learn more: http://for-site.org/support/

Impromptu Performance by the Tesoro High School Choir in Ai Weiwei's @Large Exhibition

Impromptu Performance by the Tesoro High School Choir in Ai Weiwei's @Large Exhibition

An impromptu performance by the Tesoro High School choir in "Trace," one of seven site-specific artworks by artist Ai Weiwei in "@Large: Ai Weiwei on Alcatraz.

Inside @Large: Ai Weiwei on Alcatraz

Inside @Large: Ai Weiwei on Alcatraz

Take a look inside "@Large: Ai Weiwei on Alcatraz” and hear from the people behind this unprecedented exhibition exploring human rights and freedom of ...

The Making of @Large: Ai Weiwei on Alcatraz

The Making of @Large: Ai Weiwei on Alcatraz

Go behind the scenes of “@Large: Ai Weiwei on Alcatraz.” The artist raises urgent questions about freedom of expression and human rights in this exhibition of ...

Twitter

  • Our "Sanctuary" partners @FortMasoninSF are closing their latest exhibition, #SophieCalle "Missing" this weekend --… https://t.co/Itrc1Mkncm
  • RT @hyperallergic This morning, all but one private member of the President’s Committee on the Arts and Humanities (PCAH) resigned. https://t.co/AArhhQEXXS

Instagram

  • No ambiguity. Thank you @ybca and @taniabruguera.
  • Click the @cnni link in our profile to watch as two million knots become a rug! These methods are similar to those used by ALRUG in Lahore, Pakistan to create the rugs for our exhibition "Sanctuary," opening October 7. #ArtAboutPlace #Sanctuary
  • @mcachicago is in the midst of a @kickstarter campaign to raise money for "Enemy Kitchen" -- a food truck and public art project by artist #MichaelRakowitz that dishes up Iraqi food (served by U.S. veterans) and explores the relationship between hospitality and hostility. Funds raised will support getting the "Enemy Kitchen" truck back up and running for Rakowitz's upcoming MCA exhibition, "Michael Rakowitz: Backstroke of the West." FOR-SITE is a strong believer in the ability of cross-cultural dialogue to bridge divides, and we'd love to see "Enemy Kitchen" doing just that. If you can, please consider supporting this great project! . . . . . . . . #PublicArt #ArtAsActivism #SocialJustice #SocialPractice
  • Weekend idea -- visit @seewhatyouthink (San Jose Museum of Art) to see "Diana Al-Hadid: Liquid City." Pictured here is a close-up of her monumental sculpture "Nolli's Orders," which references Giambattista Nolli's landmark 1748 map of Rome, which was the first map of its kind to show public spaces in the city -- public spaces rendered as transparent, and private as solid. @dianaalhadid's work often toys with such visual perceptions -- light and shadow, seen and unseen. 📷: @seewhatyouthink ______ @dianaalhadid is one of 36 artists in FOR-SITE's upcoming exhibition "Sanctuary," opening October 7. #ArtAboutPlace #Sanctuary

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Field Notes

  • Allison Stone talks Art in the Presidio

  • Art in the Parks and “Home Land Security”: A Partner’s Perspective

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