Field Notes
05-24-13
Exploring Perception and Reality with Kota Ezawa
I was looking for some kind of visual, moving image form that puts a stress on ideas rather than just on reality, and I find that animation is capable of that, because More
05-02-13
Richard Serra’s Inaccessible and Embattled “Shift”
Writer Sarah Zabrodski examines Shift, Richard Serra’s enigmatic and inaccessible land art work, in her latest entry for art blog Hyperallergic. Located in a More
Complimentary One-Day artMRKT Passes Courtesy of FOR-SITE!
FOR-SITE Foundation invites you to join us for artMRKT San Francisco at its new location in Fort Mason Center, May 16 through 19. As we mark FOR-SITE’s 10th More
04-17-13
Presidio Wayfinding
Planning a visit to the Presidio to check out Andy Goldsworthy’s Wood Line and Spire? This detailed and easy to read map provided by our friends at the Presidio More
03-29-13
“HERE, NOW vs THERE, THEN”
HERE, NOW vs THERE, THEN is here, now! This publication – created to capture the thoughts, dialogue, ideas, and discussions exchanged during Richard T. Walker’s Fall More
03-28-13
Doug Aitken’s “Urban Earthwork”
The Seattle Art Museum revealed artist Doug Aitken’s MIRROR last weekend, a responsive, permanent installation on the exterior of the museum that utilizes an More
03-23-13
The “Thingness” of Light
How does a museum pay tribute to James Turrell, an artist whose medium is light and whose works in progress include an entire crater in Arizona? By celebrating that More
03-15-13
Richard T. Walker: Creating a Dialogue With the Landscape
In his first UK solo exhibition, in defiance of being here, Richard T. Walker continues his exploration of the complicated relationship between humans and the natural More
03-07-13
Mark Dion: Self-Proclaimed Low-Budget Antiquarian
In a recent article for Gallerist NY, writer Andrew Russeth examines Mark Dion’s transformation of globe-trotting natural science into art form, and time into More
Bill Fontana’s Naturally Musical World
Bill Fontana discusses his project for International Orange, Acoustical Visions, a show of his recent work at New York’s Haunch of Venison, and the problem with More