Field Notes

I was looking for some kind of visual, moving image form that puts a stress on ideas rather than just on reality, and I find that animation is capable of that, because More

Writer Sarah Zabrodski examines Shift, Richard Serra’s enigmatic and inaccessible land art work, in her latest entry for art blog Hyperallergic. Located in a More

FOR-SITE Foundation invites you to join us for artMRKT San Francisco at its new location in Fort Mason Center, May 16 through 19.  As we mark FOR-SITE’s 10th More

Planning a visit to the Presidio to check out Andy Goldsworthy’s Wood Line and Spire? This detailed and easy to read map provided by our friends at the Presidio More

HERE, NOW vs THERE, THEN is here, now!  This publication – created to capture the thoughts, dialogue, ideas, and discussions exchanged during Richard T. Walker’s Fall More

The Seattle Art Museum revealed artist Doug Aitken’s MIRROR last weekend, a responsive, permanent installation on the exterior of the museum that utilizes an More

How does a museum pay tribute to James Turrell, an artist whose medium is light and whose works in progress include an entire crater in Arizona?  By celebrating that More

In his first UK solo exhibition, in defiance of being here, Richard T. Walker continues his exploration of the complicated relationship between humans and the natural More

In a recent article for Gallerist NY, writer Andrew Russeth examines Mark Dion’s transformation of  globe-trotting natural science into art form, and time into More

Bill Fontana discusses his project for International Orange, Acoustical Visions, a show of his recent work at New York’s Haunch of Venison, and the problem with More