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Field Notes: Places Archives - FOR-SITE Foundation

Alcatraz Dining Hall
07-22-14 Inside Alcatraz: The Dining Hall
Visitors to @Large: Ai Weiwei on Alcatraz will encounter the island from new perspectives — not just metaphorically, but literally. With artworks occupying the New More
Alcatraz Hospital corridor
07-08-14 Inside Alcatraz: The Hospital
Visitors to @Large: Ai Weiwei on Alcatraz will encounter the island from new perspectives — not just metaphorically, but literally. With artworks occupying the New More
Upper tiers of A Block, Alcatraz
06-11-14 Inside Alcatraz: A Block
Visitors to @Large: Ai Weiwei on Alcatraz will encounter the island from new perspectives — not just metaphorically, but literally. With artworks occupying the New More
Interior of the New Industries Building at Alcatraz
05-27-14 Inside Alcatraz: The New Industries Building
Visitors to @Large: Ai Weiwei on Alcatraz will encounter the island from new perspectives — not just metaphorically, but literally. With artworks occupying the New More
09-10-13 2012 SECA Artist David Wilson Explores San Francisco’s Lost Corners and In-Between Stretches of Natural and Developed Space
    Oakland-based artist David Wilson engages with experience of place through a meditative drawing practice and through the orchestration of site-specific More
04-17-13 Presidio Wayfinding
Planning a visit to the Presidio to check out Andy Goldsworthy’s Wood Line and Spire? This detailed and easy to read map provided by our friends at the Presidio More
11-16-12 Richard T. Walker Goes to Nevada City
Artist Richard T. Walker and students from California College of the Arts just spent the weekend at FOR-SITE’s residency site in Nevada City for Walker’s More
Vegetation and boulder at the FOR-SITE residency site outside Nevada City
03-27-12 Musings from Donald Fortescue
CCA educator Donald Fortescue has been working with a group of grad students at the FOR-SITE residency site in the Sierra foothills. Read his impressions and see photos More
10-04-11 Caught on Camera
The critter cam at our Nevada City residency site has been active lately. Here’s a snapshot of a recent visitor. More

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Sanctuary Salon (February 23, 2018)

Sanctuary Salon (February 23, 2018)

Echoing Sanctuary's ethos of plurality, the "Sanctuary Salon" series weaves together the voices of artists whose practices span creative disciplines, including ...

Brendan Fernandes: Safely (2017)

Brendan Fernandes: Safely (2017)

As part of his commission for "Sanctuary," Brendan Fernandes presented a site-specific durational performance that explored themes of reverence and sacred ...

Panel Discussion: Approaching the Rug as a Critical Form

Panel Discussion: Approaching the Rug as a Critical Form

Panel Discussion "Above the Rug: Approaching the Rug as a Critical Form" February 11, 2018 Historically and traditionally, rugs are a medium for cultural ...

Sanctuary

Sanctuary



Sanctuary Salon (January 26, 2018)

Sanctuary Salon (January 26, 2018)

Echoing the ethos of plurality embodied within FOR-SITE's exhibition "Sanctuary," the "Sanctuary Salon" series weaves together the voices of artists whose ...

Sanctuary Salon (December 14, 2017)

Sanctuary Salon (December 14, 2017)

Echoing the ethos of plurality embodied within FOR-SITE's exhibition "Sanctuary," the "Sanctuary Salon" series weaves together the voices of artists whose ...

Twitter

  • It's a full house (er, Chapel) tonight for FOR-SITE's first #Sanctuary Salon https://t.co/ABOANPBfeV
  • Happening now: Free #silkscreening workshops with #SanctuaryPrintShop outside #Sanctuary @FortMasoninSF Chapel https://t.co/4BGs628mct

Instagram

  • FOR-SITE visited “Joan Jonas: They Come to Us without a Word” at @fortmasoncenter today and were struck by the installation “Nine Trees.” The work was originally made for the courtyard of the U.S. Pavilion in Venice, and consisted of trunks harvested from Certosa Island, a former military site in the Venetian Lagoon. Fittingly, the piece at Fort Mason incorporates eucalyptus trees from @presidiosf (also a former military site). As with the rest of “They Come to Us without a Word,” the piece speaks to the human impact on nature and existing ecosystems. The Presidio eucalyptus used in the work is a non-native species that was planted by the U.S. Army in the 1880’s, and fundamentally changed the landscape from windswept sand to the existing park forest. __ Joan Jonas: They Come to Us without a Word” is on view in Gallery 308 @fortmasoncenter Wed. - Sat. Noon to 8pm and Sun. 11am to 5pm through March 10. Admission is free, but reserving tickets in advance via the Fort Mason website is strongly encouraged. __ #ArtAboutPlace #PublicArt #ArtAtTheFort
  • A burst of sun amidst the storm had us running outside to take in the moment of reprieve. And there it was — a lovely rainbow 🌈 Having an office at @fortmasoncenter definitely has its #WorkPerks.
  • Didn’t snag an RSVP to @cheryllhaines’ sold-out talk February 6? Don’t worry — a video of the event will be posted to the @thachergalleryusf’s YouTube channel a week or so later. We’ll be sure to direct you there once it’s available! __ Bonus: February 6 is also the Community Town Hall hosted by San Francisco Arts Commission and Grants for the Arts where they will share the proposed plan for implementing the new Arts Impact Endowment Fund and father feedback from the public. Make your thoughts known! The event is free, but registration is required. Link in bio. 📷: Jan Stürmann #ArtAboutPlace
  • Peruse catalogues, check out art, or just have a chat — we’re at @untitledartfair today until 8pm and Saturday and Sunday from noon until 6pm.

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Field Notes

  • Allison Stone talks Art in the Presidio

  • Art in the Parks and “Home Land Security”: A Partner’s Perspective

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