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Field Notes: In the Press Archives - FOR-SITE Foundation

Alcatraz Island
05-13-14 @Large in the News
Tickets for @Large: Ai Weiwei on Alcatraz go on sale June 27, and the press has taken notice! In a great piece on KQED Arts, Cy Musiker talks with the Golden Gate More
Interior of the New Industries Building at Alcatraz
12-03-13 Ai Weiwei on Alcatraz in the New York Times
“The idea of loss of freedom as a punishment raises philosophical questions.” Ai Weiwei talks with Jori Finkel about his FOR-SITE project on Alcatraz in More
06-14-13 Congratulations to KQED for Their Coverage of International Orange!
Congratulations to KQED for winning the first prize in the 36th Annual Greater Bay Area Journalism Awards category Feature Story of a Light Nature, for their coverage More
Chrysopylae (installation view)
01-04-13 International Orange: An Outstanding Bay Area Art Experience
For critic Christian Frock, International Orange was one of the top 10 “outstanding Bay Area Art experiences” of 2012. We’d have to agree! Read her list More
Fort Point Bunting (installation view)
12-13-12 True Tales from International Orange
How do people react when they unexpectedly stumble upon an art exhibition? What happens when birds nest in the artwork? What are “the Fort Point crazies?” More
Artillery logo
09-13-12 International Orange in Artillery
LA’s mag and blog Artillery covers IO: “Conceptually ambitious, the exhibition draws energy and inspiration from the historic walls that house it….” More
New York Times logo
06-07-12 International Orange in the NYT
Wonderful coverage of International Orange in the New York Times this Sunday. Download the PDF, and if you haven’t yet, be sure to come down and see the exhibition! More
San Francisco Chronicle logo
05-20-12 International Orange Opens: Read About It in the SF Chronicle
“It became as clear as the day that if [they] could pull this off it would be the most fantastic site-specific art installation this city has ever seen,” Sam More
08-26-11 Goldsworthy’s Wood Line in the Examiner
Have you walked  Andy Goldsworthy’s Wood Line yet? Ari Burack’s brief article in the SF Examiner is a reminder to get out there! More
Wood Line
08-07-11 Wood Line Is Complete — Read About It on SFGate!
All the hard work has finally paid off — Andy Goldsworthy’s Wood Line is complete! Thanks to Andy and team! Read Sam Whiting’s article on SFGate, and More

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Sanctuary Salon (February 23, 2018)

Sanctuary Salon (February 23, 2018)

Echoing Sanctuary's ethos of plurality, the "Sanctuary Salon" series weaves together the voices of artists whose practices span creative disciplines, including ...

Brendan Fernandes: Safely (2017)

Brendan Fernandes: Safely (2017)

As part of his commission for "Sanctuary," Brendan Fernandes presented a site-specific durational performance that explored themes of reverence and sacred ...

Panel Discussion: Approaching the Rug as a Critical Form

Panel Discussion: Approaching the Rug as a Critical Form

Panel Discussion "Above the Rug: Approaching the Rug as a Critical Form" February 11, 2018 Historically and traditionally, rugs are a medium for cultural ...

Sanctuary

Sanctuary



Sanctuary Salon (January 26, 2018)

Sanctuary Salon (January 26, 2018)

Echoing the ethos of plurality embodied within FOR-SITE's exhibition "Sanctuary," the "Sanctuary Salon" series weaves together the voices of artists whose ...

Sanctuary Salon (December 14, 2017)

Sanctuary Salon (December 14, 2017)

Echoing the ethos of plurality embodied within FOR-SITE's exhibition "Sanctuary," the "Sanctuary Salon" series weaves together the voices of artists whose ...

Twitter

  • It's a full house (er, Chapel) tonight for FOR-SITE's first #Sanctuary Salon https://t.co/ABOANPBfeV
  • Happening now: Free #silkscreening workshops with #SanctuaryPrintShop outside #Sanctuary @FortMasoninSF Chapel https://t.co/4BGs628mct

Instagram

  • FOR-SITE visited “Joan Jonas: They Come to Us without a Word” at @fortmasoncenter today and were struck by the installation “Nine Trees.” The work was originally made for the courtyard of the U.S. Pavilion in Venice, and consisted of trunks harvested from Certosa Island, a former military site in the Venetian Lagoon. Fittingly, the piece at Fort Mason incorporates eucalyptus trees from @presidiosf (also a former military site). As with the rest of “They Come to Us without a Word,” the piece speaks to the human impact on nature and existing ecosystems. The Presidio eucalyptus used in the work is a non-native species that was planted by the U.S. Army in the 1880’s, and fundamentally changed the landscape from windswept sand to the existing park forest. __ Joan Jonas: They Come to Us without a Word” is on view in Gallery 308 @fortmasoncenter Wed. - Sat. Noon to 8pm and Sun. 11am to 5pm through March 10. Admission is free, but reserving tickets in advance via the Fort Mason website is strongly encouraged. __ #ArtAboutPlace #PublicArt #ArtAtTheFort
  • A burst of sun amidst the storm had us running outside to take in the moment of reprieve. And there it was — a lovely rainbow 🌈 Having an office at @fortmasoncenter definitely has its #WorkPerks.
  • Didn’t snag an RSVP to @cheryllhaines’ sold-out talk February 6? Don’t worry — a video of the event will be posted to the @thachergalleryusf’s YouTube channel a week or so later. We’ll be sure to direct you there once it’s available! __ Bonus: February 6 is also the Community Town Hall hosted by San Francisco Arts Commission and Grants for the Arts where they will share the proposed plan for implementing the new Arts Impact Endowment Fund and father feedback from the public. Make your thoughts known! The event is free, but registration is required. Link in bio. 📷: Jan Stürmann #ArtAboutPlace
  • Peruse catalogues, check out art, or just have a chat — we’re at @untitledartfair today until 8pm and Saturday and Sunday from noon until 6pm.

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Field Notes

  • Allison Stone talks Art in the Presidio

  • Art in the Parks and “Home Land Security”: A Partner’s Perspective

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