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Press Room

Select Press Coverage: Sanctuary

About Sanctuary

Jori Finkel, “A ‘Sanctuary’ of Prayer Rugs That Respond to the Refugee Crisis,” New York Times, July 18, 2017. Read online or download PDF

Victoria Stapley-Brown, “Artists Including Mona Hatoum Transform Muslim Prayer Rugs for San Francisco Show,” The Art Newspaper, July 21, 2017. Read online or download PDF

Sarah Cascone, “Fall Art Preview: 30 of the Most Important Museum Exhibitions to See Around the Globe This Season,” artnet, August 23, 2017. Read online or download PDF

Ian Stewart, “How 36 Artists Are Making a Sanctuary Out of Rugs,” San Francisco Magazine, September 28, 2017. Read online or download PDF

Min Chen, “36 Artists Find Sanctuary in a Rug,” Surface Magazine, October 3, 2017. Read online or download PDF

Anna Furman, “How an Exhibition of Prayer Rugs Aims to Stand Up Against Trump’s Travel Ban,” The Guardian, December 15, 2017. Read online or download PDF

Cy Musiker, “Tales of Seeking Sanctuary Woven into 36 Rugs at Fort Mason,” KQED, February 14, 2018. Read online or download PDF

Jonathan Curiel, “Woven Resistance, In ‘Sanctuary’ at Fort Mason,” SF Weekly, February 22, 2018. Read online or download PDF

Leslie Camhi, “Some of the Most Provocative Political Art is Made With Fibers,” T Magazine, March 14, 2018. Read online or download PDF

Malin Lonnberg, “Finding Sanctuary,” Cover Magazine, Spring 2018. Download PDF

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    • Select Press Coverage: Sanctuary
    • Select Press Coverage: Home Land Security
    • Press Coverage: @Large: Ai Weiwei on Alcatraz
    • Press Coverage: Goldsworthy in the Presidio
    • Press Coverage: International Orange
    • Press Coverage: Presidio Habitats
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Field Notes

  • Allison Stone talks Art in the Presidio

  • Art in the Parks and “Home Land Security”: A Partner’s Perspective

  • Q&A with “Home Land Security” Curator Cheryl Haines

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Sanctuary Salon (February 23, 2018)

Sanctuary Salon (February 23, 2018)

Echoing Sanctuary's ethos of plurality, the "Sanctuary Salon" series weaves together the voices of artists whose practices span creative disciplines, including ...

Brendan Fernandes: Safely (2017)

Brendan Fernandes: Safely (2017)

As part of his commission for "Sanctuary," Brendan Fernandes presented a site-specific durational performance that explored themes of reverence and sacred ...

Panel Discussion: Approaching the Rug as a Critical Form

Panel Discussion: Approaching the Rug as a Critical Form

Panel Discussion "Above the Rug: Approaching the Rug as a Critical Form" February 11, 2018 Historically and traditionally, rugs are a medium for cultural ...

Sanctuary

Sanctuary



Sanctuary Salon (January 26, 2018)

Sanctuary Salon (January 26, 2018)

Echoing the ethos of plurality embodied within FOR-SITE's exhibition "Sanctuary," the "Sanctuary Salon" series weaves together the voices of artists whose ...

Sanctuary Salon (December 14, 2017)

Sanctuary Salon (December 14, 2017)

Echoing the ethos of plurality embodied within FOR-SITE's exhibition "Sanctuary," the "Sanctuary Salon" series weaves together the voices of artists whose ...

Twitter

  • It's a full house (er, Chapel) tonight for FOR-SITE's first #Sanctuary Salon https://t.co/ABOANPBfeV
  • Happening now: Free #silkscreening workshops with #SanctuaryPrintShop outside #Sanctuary @FortMasoninSF Chapel https://t.co/4BGs628mct

Instagram

  • FOR-SITE visited “Joan Jonas: They Come to Us without a Word” at @fortmasoncenter today and were struck by the installation “Nine Trees.” The work was originally made for the courtyard of the U.S. Pavilion in Venice, and consisted of trunks harvested from Certosa Island, a former military site in the Venetian Lagoon. Fittingly, the piece at Fort Mason incorporates eucalyptus trees from @presidiosf (also a former military site). As with the rest of “They Come to Us without a Word,” the piece speaks to the human impact on nature and existing ecosystems. The Presidio eucalyptus used in the work is a non-native species that was planted by the U.S. Army in the 1880’s, and fundamentally changed the landscape from windswept sand to the existing park forest. __ Joan Jonas: They Come to Us without a Word” is on view in Gallery 308 @fortmasoncenter Wed. - Sat. Noon to 8pm and Sun. 11am to 5pm through March 10. Admission is free, but reserving tickets in advance via the Fort Mason website is strongly encouraged. __ #ArtAboutPlace #PublicArt #ArtAtTheFort
  • A burst of sun amidst the storm had us running outside to take in the moment of reprieve. And there it was — a lovely rainbow 🌈 Having an office at @fortmasoncenter definitely has its #WorkPerks.
  • Didn’t snag an RSVP to @cheryllhaines’ sold-out talk February 6? Don’t worry — a video of the event will be posted to the @thachergalleryusf’s YouTube channel a week or so later. We’ll be sure to direct you there once it’s available! __ Bonus: February 6 is also the Community Town Hall hosted by San Francisco Arts Commission and Grants for the Arts where they will share the proposed plan for implementing the new Arts Impact Endowment Fund and father feedback from the public. Make your thoughts known! The event is free, but registration is required. Link in bio. 📷: Jan Stürmann #ArtAboutPlace
  • Peruse catalogues, check out art, or just have a chat — we’re at @untitledartfair today until 8pm and Saturday and Sunday from noon until 6pm.

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Field Notes

  • Allison Stone talks Art in the Presidio

  • Art in the Parks and “Home Land Security”: A Partner’s Perspective

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