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Press Room

Lands End Press Coverage

Visit frequently for updates to Lands End press coverage.

7×7, Kiera Kenney, “27 Fun Things to Do This Week (11.1.21),” October 31, 2021. Read online.

Nob Hill Gazette, Jessica Wolfrom, “At The Art World’s Edge,” November 3, 2021. Read online or download PDF of extended print version here.

Vogue, Marley Marius, “Set Against the Crashing Waves of the Pacific, a New Art Exhibition Takes On the Climate Crisis,” November 5, 2021. Read online or download PDF.

The Guardian, “Oil spills, plastic, rising seas: artists invoke climate breakdown in San Francisco exhibition – in pictures,” November 7, 2021. Read online or download PDF.

San Francisco Chronicle Datebook, Tony Bravo, “Bay Area holiday art 2021: An ambitious close to a comeback year for museums, galleries and more,” November 10, 2021. Read online or download PDF.

San Francisco Chronicle, Sam Whiting, “Provocative eco-art exhibition in S.F. forces confrontations with climate change,” November 11, 2021. Read online or download PDF.

 7×7 Bay Area, Max Blue, “For-Site Foundation’s ‘Land’s End’ is an artful commentary on climate change at the old Cliff House,” November 12, 2021. Read online or download PDF.

The San Francisco Standard, Jonathan Curiel, “Exhibit at Former Cliff House Takes on Climate Crisis,” November 12, 2021. Read online or download PDF.

Expressen, @expressen on Instagram, November 23, 2021. Read online.

Artnet, Julie Baumgardner, “How Doug Aitken, Andy Goldsworthy, and Other Artists Turned a Former Retreat for San Francisco Elites Into a Stark Reminder of Climate Change
For a show at Cliff-House,” November 26, 2021. Read online or download PDF.

The Art Newspaper (Chinese). December, 2021. Download PDF. 

Yahoo! Stephanie Rogers, “Land’s End Installation Brings the Urgency of Climate Change to SF’s Cliff House,” December 1, 2021. Read online or download PDF.

Variable West, Danica Sachs, “Artists Fill San Francisco’s Cliff House with Warnings of Environmental Disaster: ‘Lands End’ Reviewed,” December 2, 2021. Read online or Download PDF.

KQED, Jeffrey Edalatpour, “Artists Foretell the End of Everything in Cliff House Show, ‘Lands End’,” December 9, 2021. Read Online or download PDF.

MerciSF, “Lands End: a Climate Crisis Exhibition at Cliff House,” December 15, 2021, Read online or download PDF.

Marin Magazine, Christina Mueller, “31 Things to Do This January: Honor MLK Day, “Tommy” Comes to Novato, the Napa Lighted Art Festival and More.” Read online.

San Francisco Chronicle Datebook, Tony Bravo, “Visual art in 2021 explored big issues and didn’t shy from controversy,” December 22, 2021. Read online.

Wallpaper*, TF Chan, “Doug Aitken judges Wallpaper* Design Awards 2022,” January 9, 2022. Read online or download PDF.

Los Angeles Times, Christopher Reynolds, “Bound for the Bay Area? Here are 10 tips to know before you go,” January 21, 2022. Read online or download PDF.

The Brooklyn Rail, Constance Lewallen, “Lands End,” January 2022. Read online or download PDF.

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  • #LandsEnd featured artist Andrea Chung’s video Come Back to Jamaica (2009), & Come Back to Yourself (2013), will be… https://t.co/HXwouRNnBa
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@anateresafernandez’s Sanctuary rug design, titled Erasure, showcases a work from a series of the same name for which the artist documented a performance of erasure: painting her body black with thick acrylic paint in front of a black background. The resulting video and suite of signature large-scale, hyperrealist paintings leave only glimpses of color—in this case, a searing pair of eyes. Fernández performed this act of removal and mourning in response to the 2014 disappearance and presumed murder of forty-three young male student-activists in Ayotzinapa, Mexico. For the artist, this unconscionable act raises critical questions: “Whose life can be erased so quickly? Why are some sectors of our community treated in such a disposable way? What do we need to do as a society to be seen and treated equally, like valued human beings?”

In 2017 FOR-SITE invited 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.
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@anateresafernandez’s Sanctuary rug design, titled Erasure, showcases a work from a series of the same name for which the artist documented a performance of erasure: painting her body black with thick acrylic paint in front of a black background. The resulting video and suite of signature large-scale, hyperrealist paintings leave only glimpses of color—in this case, a searing pair of eyes. Fernández performed this act of removal and mourning in response to the 2014 disappearance and presumed murder of forty-three young male student-activists in Ayotzinapa, Mexico. For the artist, this unconscionable act raises critical questions: “Whose life can be erased so quickly? Why are some sectors of our community treated in such a disposable way? What do we need to do as a society to be seen and treated equally, like valued human beings?” In 2017 FOR-SITE invited 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.
2 days ago
View on Instagram |
1/9
Titled Here we die, @mpane.aime’s design for Sanctuary was based on one of his carved plywood portraits from a series of the same name. He creates these portraits with an ancient tool called an adze, which allows him to scrape away layers of wood and reveal his subject by reduction. Each panel is roughly twelve by twelve inches: the equivalent of a human head’s surface area. “Because my work deals with problems of race and the stereotypes of black people, the three layers within four-millimeter-thick plywood make me think of the three layers within human skin,” he explains. Despite the dark histories underlying his work, Mpane’s portraits are not somber: his embrace of bright color lends an air of inextinguishable hope and promise.

In 2017 FOR-SITE invited 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.
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Titled Here we die, @mpane.aime’s design for Sanctuary was based on one of his carved plywood portraits from a series of the same name. He creates these portraits with an ancient tool called an adze, which allows him to scrape away layers of wood and reveal his subject by reduction. Each panel is roughly twelve by twelve inches: the equivalent of a human head’s surface area. “Because my work deals with problems of race and the stereotypes of black people, the three layers within four-millimeter-thick plywood make me think of the three layers within human skin,” he explains. Despite the dark histories underlying his work, Mpane’s portraits are not somber: his embrace of bright color lends an air of inextinguishable hope and promise. In 2017 FOR-SITE invited 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.
5 days ago
View on Instagram |
2/9
@hankwillisthomas Sanctuary contribution, titled Keep the Faith Baby, comes from a series invoking buttons and slogans from political campaigns and social movements from the last 50 years, removing them from their original context to allow audiences to reinterpret the messaging through a contemporary lens. Thomas remembers encountering a button bearing this particular wording as a child. The phrase, used by New York Congressman Adam Clayton Powell, originally served to communicate the hope and profound faith that fueled the American civil rights movement. “It may sound trite, but commercialism is the new religion. We are all believers. Even the most radical of us,” Thomas has said. “It’s not propaganda anymore.”

The notion of sanctuary—both physical and psychological—has been fundamental in shaping a sense of selfhood and social identity throughout human history. But in an era of increasing global migration and rising nationalism, the right to safe haven is under threat, and the necessity for compassion is greater than ever. Seeking to address these issues and ideas, In 2017 FOR-SITE invited 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.
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@hankwillisthomas Sanctuary contribution, titled Keep the Faith Baby, comes from a series invoking buttons and slogans from political campaigns and social movements from the last 50 years, removing them from their original context to allow audiences to reinterpret the messaging through a contemporary lens. Thomas remembers encountering a button bearing this particular wording as a child. The phrase, used by New York Congressman Adam Clayton Powell, originally served to communicate the hope and profound faith that fueled the American civil rights movement. “It may sound trite, but commercialism is the new religion. We are all believers. Even the most radical of us,” Thomas has said. “It’s not propaganda anymore.” The notion of sanctuary—both physical and psychological—has been fundamental in shaping a sense of selfhood and social identity throughout human history. But in an era of increasing global migration and rising nationalism, the right to safe haven is under threat, and the necessity for compassion is greater than ever. Seeking to address these issues and ideas, In 2017 FOR-SITE invited 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground.
7 days ago
View on Instagram |
3/9
Deinstall continues! While we are on hiatus, keep in touch by subscribing to our newsletter at the link in bio.
Deinstall continues! While we are on hiatus, keep in touch by subscribing to our newsletter at the link in bio.
Deinstall continues! While we are on hiatus, keep in touch by subscribing to our newsletter at the link in bio.
Deinstall continues! While we are on hiatus, keep in touch by subscribing to our newsletter at the link in bio.
Deinstall continues! While we are on hiatus, keep in touch by subscribing to our newsletter at the link in bio.
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Deinstall continues! While we are on hiatus, keep in touch by subscribing to our newsletter at the link in bio.
2 weeks ago
View on Instagram |
4/9
Susanne Cockrell’s (@aradicalstitch ), Indwelling invited students to move their toolkits, studio, and lens of production to the Sierra Nevada and work through their own experiences of being on the land. Through guided walks, and meetings with local artists, community groups, herbalists and trackers students focused on understanding the complex relationships between their art practices and a sense of indwelling.

Since 2003, FOR-SITE’s education program has enriched the experience of graduate-level art students with learning opportunities that extend beyond the traditional academic curriculum.

Image: Susanne Cockrell’s, Indwelling, 2016, California College of the Arts
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Susanne Cockrell’s (@aradicalstitch ), Indwelling invited students to move their toolkits, studio, and lens of production to the Sierra Nevada and work through their own experiences of being on the land. Through guided walks, and meetings with local artists, community groups, herbalists and trackers students focused on understanding the complex relationships between their art practices and a sense of indwelling. Since 2003, FOR-SITE’s education program has enriched the experience of graduate-level art students with learning opportunities that extend beyond the traditional academic curriculum. Image: Susanne Cockrell’s, Indwelling, 2016, California College of the Arts
2 weeks ago
View on Instagram |
5/9
Established in 2003, the FOR-SITE Foundation is dedicated to the creation, understanding, and presentation of art about place. Our exhibitions and commissions artist residencies, and education programs are based in the belief that art can inspire fresh thinking and important dialogue about our natural and cultural environment.

Image: Artist Chris Drury at work
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Established in 2003, the FOR-SITE Foundation is dedicated to the creation, understanding, and presentation of art about place. Our exhibitions and commissions artist residencies, and education programs are based in the belief that art can inspire fresh thinking and important dialogue about our natural and cultural environment. Image: Artist Chris Drury at work
3 weeks ago
View on Instagram |
6/9
Reflections from preschool students who visited #LandsEnd
Reflections from preschool students who visited #LandsEnd
Reflections from preschool students who visited #LandsEnd
Reflections from preschool students who visited #LandsEnd
Reflections from preschool students who visited #LandsEnd
Reflections from preschool students who visited #LandsEnd
Reflections from preschool students who visited #LandsEnd
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Reflections from preschool students who visited #LandsEnd
3 weeks ago
View on Instagram |
7/9
In honor of #Earthday we want to acknowledge that the former Cliff House and the Lands End exhibition were sited on the unceded ancestral homeland of the Yelamu, a local tribe of the Ramaytush Ohlone peoples and the original inhabitants of the San Francisco Peninsula.

While we appreciate the beauty of the Golden Gate National Park, we must acknowledge that Spanish, Mexican, and American colonization
displaced and eradicated Native peoples across California, including the Yelamu beginning in the 18th Century. We offer respect to
the ancestors, elders, and relatives of the Ramaytush Community and affirm their sovereign rights as First Peoples.

We recognize the Ramaytush Ohlone's enduring commitment to steward the Earth. Indigenous traditional ecological knowledge in how
we care for the lands, waters, and all the people must inspire our actions to achieve a truly ecologically sustainable future for San Francisco and our planet.

#LandsEnd featured works by a group of artists from around the world that strived to remind viewers of our interconnectedness via global currents of water and air, and to encourage visitors  to partake in all the fresh ideas and perspectives that emerge from the rising tides as we head deeper into this tumultuous century. The exhibition featured works by @suzannehusky  @brianjungen @catriona.jeffries @andreachungstudio 
@tylerpark_presents 
@angelo.filomeno  @galerielelong 
@project88mumbai 
@chester_arnold_painter 
@cclarkgallery @gerada_art @anateresafernandez 
@cclarkgallery @danielbeltraphoto @edelmangallery 
@adam5100 @dougaitkenworkshop 
@studioolafureliasson 
@mcevoyarts @elizabethellenwood 
@maja_petric 
@winstonwachter @paewhitestudio @jana.winderen 
@mcevoyarts @gulnurozdaglar @paewhitestudio @jana.winderen #williamtwiley #DougAitken #tuulanarhinen 
#andygoldsworthy #onebeachplastic #shumonahmed
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In honor of #Earthday we want to acknowledge that the former Cliff House and the Lands End exhibition were sited on the unceded ancestral homeland of the Yelamu, a local tribe of the Ramaytush Ohlone peoples and the original inhabitants of the San Francisco Peninsula. While we appreciate the beauty of the Golden Gate National Park, we must acknowledge that Spanish, Mexican, and American colonization displaced and eradicated Native peoples across California, including the Yelamu beginning in the 18th Century. We offer respect to the ancestors, elders, and relatives of the Ramaytush Community and affirm their sovereign rights as First Peoples. We recognize the Ramaytush Ohlone's enduring commitment to steward the Earth. Indigenous traditional ecological knowledge in how we care for the lands, waters, and all the people must inspire our actions to achieve a truly ecologically sustainable future for San Francisco and our planet. #LandsEnd featured works by a group of artists from around the world that strived to remind viewers of our interconnectedness via global currents of water and air, and to encourage visitors to partake in all the fresh ideas and perspectives that emerge from the rising tides as we head deeper into this tumultuous century. The exhibition featured works by @suzannehusky  @brianjungen @catriona.jeffries @andreachungstudio @tylerpark_presents @angelo.filomeno  @galerielelong @project88mumbai @chester_arnold_painter @cclarkgallery @gerada_art @anateresafernandez @cclarkgallery @danielbeltraphoto @edelmangallery @adam5100 @dougaitkenworkshop @studioolafureliasson @mcevoyarts @elizabethellenwood @maja_petric @winstonwachter @paewhitestudio @jana.winderen @mcevoyarts @gulnurozdaglar @paewhitestudio @jana.winderen #williamtwiley #DougAitken #tuulanarhinen #andygoldsworthy #onebeachplastic #shumonahmed
4 weeks ago
View on Instagram |
8/9
We are excited to announce that FOR SITE founder @cheryllhaines will be presenting at the @photoalliance_sf’s special event celebrating #EarthDay2022! Join us for the Eco Art Symposium on April 23!⁠
⁠
PhotoAlliance and the San Francisco Art Institute @sfaiofficial present Eco Art: a one-day symposium featuring artists, activists, and arts programs focused on environmental issues. This FREE EVENT will take place at the SFAI campus and will bring together a range of artists presenting decades of work focused on many of the critical issues facing our planet today.⁠
⁠
Curated by artist and educator Linda Connor, the Eco Art symposium will open at 10 am with keynote speaker Clarence Edwards @deindc , an environmental policy advocate and strategist. The Eco Art symposium is intended to be an engaging, interactive program aimed at encouraging awareness and agency among our creative and scientific communities. The symposium consists of 20-minute presentations throughout the day, a curated selection of books, publications, and eco-friendly crafts, a midday break for lunch and conversation, and will culminate with a group walk to Fort Mason Center for the Arts to visit the exhibition Andy Goldsworthy: Firehouse, on view at Haines Gallery @hainesgallery .⁠
⁠
Read more and get you free ticket link in bio.⁠
⁠

⁠
#PhotoAlliance⁠
#EcoArt⁠
#EarthDay2022⁠
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We are excited to announce that FOR SITE founder @cheryllhaines will be presenting at the @photoalliance_sf’s special event celebrating #EarthDay2022! Join us for the Eco Art Symposium on April 23!⁠ ⁠ PhotoAlliance and the San Francisco Art Institute @sfaiofficial present Eco Art: a one-day symposium featuring artists, activists, and arts programs focused on environmental issues. This FREE EVENT will take place at the SFAI campus and will bring together a range of artists presenting decades of work focused on many of the critical issues facing our planet today.⁠ ⁠ Curated by artist and educator Linda Connor, the Eco Art symposium will open at 10 am with keynote speaker Clarence Edwards @deindc , an environmental policy advocate and strategist. The Eco Art symposium is intended to be an engaging, interactive program aimed at encouraging awareness and agency among our creative and scientific communities. The symposium consists of 20-minute presentations throughout the day, a curated selection of books, publications, and eco-friendly crafts, a midday break for lunch and conversation, and will culminate with a group walk to Fort Mason Center for the Arts to visit the exhibition Andy Goldsworthy: Firehouse, on view at Haines Gallery @hainesgallery .⁠ ⁠ Read more and get you free ticket link in bio.⁠ ⁠ ⁠ #PhotoAlliance⁠ #EcoArt⁠ #EarthDay2022⁠
4 weeks ago
View on Instagram |
9/9

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